Last night to the accompaniment of much fanfare and celebrity attendance German conceptual “artist’s artist” Hans-Peter Feldmann won the Guggenheim’s Hugo Boss Prize, a biannual award that comes with a cool $100,000. Feldmann wasn’t the obvious choice for the prize; at 69, he is the oldest artist to receive an award usually bestowed upon emerging artists. [New York Times]
A number of news sources are reporting that Chinese art great Ai Weiwei is under house arrest in his north Beijing home. “I am under house arrest,” Mr Ai told The Daily Telegraph by telephone. “They asked me not to go and to tell everyone the party was off, but I said I couldn’t do that and they’d have to stop me.”
New York Art Book Fair kicks off today, so if you like print media AND contemporary art as much as we do (even though we’re online), there’s only place to be this weekend: MoMA PS1 in Long Island City, where the fair is being held. Hosted by AA Bronson, president of NYC art media shop and proponent Printed Matter, New York Art Book Fair is an unrivaled chance to get a look at that rare breed of affordable collectible contemporary art: artist books.
A Facebook post is sometimes a dangerous thing. When Artinfo’s “What’s Troubling about the Smithsonian’s Gay Art Show,” re-titled “What’s Troubling About the Smithsonian’s Hide/Seek Show,” article was posted to their Facebook page, it was re-captioned with the admittedly punchy line: “Are sexuality and gender appropriate themes for a Smithsonian art exhibition?” The ensuing response thread involved commenters, the show’s curators, and a game of journalistic hedging. It turns out that this “reviewer” hadn’t even seen the show they critiqued.
A rare Modigliani nude hit the auction block at Sotheby’s Impressionist and Modern sale last night, and the painting didn’t disappoint. Bidding opened at $38 million and skyrocketed from there: five telephone bidders pushed the price up to a record-breaking $68,962,500, Artinfo reports.
In two weeks, #TheSocialGraph will open at Outpost in Bushwick, Brooklyn and we’re incredibly excited. What is #TheSocialGraph? It is an evolving exploration of the burgeoning field of social media art and the relation of contemporary art with this populist tool as a medium, facilitator, and subject for art.
I am the curator of the project and I’ve pulled together a number of interesting artists, writers, social media mavens, and others to share ideas and explore possibilities presented by the intersection of visual art and social media. Some of the art in #TheSocialGraph will be about social media, some will use social media as an integral component of the finished project, and some will be more of an experiment so we’re not exactly sure what to call it.
Arts Council England, a group within the English governmental Department of Art, Media and Sport, is an organization entirely devoted to funding the arts, performing, visual and literary. In total, the council currently funds 880 arts organizations and events. In September, “Britain’s coalition government of Conservatives and Liberal Democrats proposed a budget that could cut arts spending by as much as 25 percent,” reports the New York Times, a move that would help reduce the country’s budget deficit.
It’s still not clear where the budget cuts will lead, but it’s clear that artists and art organizations are speaking up against the disastrous impact the cuts could have.
Think the United States’ image abroad could use some updating? Well, take it to your local Bronx Museum! The Bronx Museum of the Arts is at the head of a new US State Department program called smART Power, an initiative to expand diplomatic art outreach beyond the performing arts that often forms its basis.
Artists will be able to submit project proposals to the program through an open call early next year.
A little birdie told us at Hyperallergic HQ that Ugo Rondinone’s “Hell,Yes” (2001) will be removed from its perch on the facade of the New Museum. The same little birdie told us that it is slated to be replaced by Isa Genzken’s 30 foot (8 meter) tall “Rose” sculpture.
What do we think of the newest addition to the Bowery? We’ll let you know after it’s installed in early November.
Ai Weiwei’s Sunflower Seeds at the Tate’s Turbine Hall space in London opened to a good deal of rejoicing. Viewers and critics alike were entranced by the installation, a field of 100 million sunflower seeds that were actually carved from porcelain. An abundance of press photos show exhibition-goers frolicking in piles of seeds, tossing them up into the air, making seed-angels and having a great time. HOWEVER! The Tate has since been forced to alter Ai’s exhibition due to health hazards: the tons of porcelain seeds were kicking up a fine ceramic dust, easily breathed into the lungs of art aficionados. Visitors can now only gaze at Ai’s piece from a cordoned off observation deck.
Reuters reports that, “A new online database recording more than 20,000 works of art looted by the Nazis from Jews in France and Belgium during World War Two shows that at least half have yet to be returned to their original owners.”
In case you haven’t heard from the star’s overactive Twitter account, Kanye’s latest album is called My Beautiful Dark Twisted Fantasy and the just-released album cover art pretty much matches the title.
Following Kanye’s GOOD Friday single series which also featured the artist, the album cover is painted by none other than 1980s art world wunderkind George Condo. The image depicts a bear-like Kanye reclining on a bright blue couch, a naked human/bird hybrid with a polka-dotted (snow leopard?) tail perches on his leg and shrieks into the foreground, a classic Condo grin on her face. I would tell you this is a fine example of Fauvist coloring, but somehow it seems unnecessary.