From sunrise to sunset, the Afield will present a new multimedia performance which mines the details and redactions of the Mueller report.
In Fire Season, Monica Miklas invites you to the remnants of Western Town, a faux Wild West village formerly nestled in the Santa Monica Mountains.
No one was as successful at impersonation and forgery as William Ellsworth Robinson, nor has anyone failed as spectacularly.
Having now announced it will close on March 15 (earlier than expected), we might look at exactly why The Inheritance failed to connect with New York audiences.
These plays depict a reality that seems familiar and plausible yet feels dreamlike, monumental, and mythical.
Gerard & Kelly’s performance State of unpacks enduring symbols of nationalism, patriotism, and masculinity.
A performance series that asks, “What is sacredness?”
In Simon Stone’s adaptation, the conflict is not cultural but psychological, and viewers can’t help but empathize with her.
For Contract and Release, choreographed by Brendan Fernandes, three dancers assume their positions amid a selection of Noguchi’s works that allude to the human form and proceed to slowly perform a prescribed set of tasks.
At Performa, Huang Po-Chih and Su Hui-Yu each staged theatrical productions concerning collective mourning and memorialization. Yet while Su built upon his own relationship to a story of loss, Huang seemed to impose himself upon someone else’s.
Schaubühne Berlin vividly adapts the author Édouard Louis’s first-person account of the experience of rape and attempted murder.
In its first performances since 1965, the recent Performa revival of Rainer’s Parts of Some Sextets prompts considerations of how we can safeguard the choreographer’s visionary oeuvre while staying true to her vision.