Having now announced it will close on March 15 (earlier than expected), we might look at exactly why The Inheritance failed to connect with New York audiences.
Category: Performance
Posted inPerformance
Two Plays by Downtown Legend María Irene Fornés
These plays depict a reality that seems familiar and plausible yet feels dreamlike, monumental, and mythical.
Posted inPerformance
Pole Dancing to the US National Anthem
Gerard & Kelly’s performance State of unpacks enduring symbols of nationalism, patriotism, and masculinity.
Posted inPerformance
The Spiritual Side of Performance
A performance series that asks, “What is sacredness?”
Posted inPerformance
A Minimalist Take on Medea Delivers Maximal Drama
In Simon Stone’s adaptation, the conflict is not cultural but psychological, and viewers can’t help but empathize with her.
Posted inPerformance
Staging the Work of Ballet Amid Noguchi’s Expressive Sculptures
For Contract and Release, choreographed by Brendan Fernandes, three dancers assume their positions amid a selection of Noguchi’s works that allude to the human form and proceed to slowly perform a prescribed set of tasks.
Posted inPerformance
Mourning through Performance, or Performative Mourning?
At Performa, Huang Po-Chih and Su Hui-Yu each staged theatrical productions concerning collective mourning and memorialization. Yet while Su built upon his own relationship to a story of loss, Huang seemed to impose himself upon someone else’s.
Posted inPerformance
Staging a History of Violence
Schaubühne Berlin vividly adapts the author Édouard Louis’s first-person account of the experience of rape and attempted murder.
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Yvonne Rainer’s Conceptual Chess, Revived and Restaged
In its first performances since 1965, the recent Performa revival of Rainer’s Parts of Some Sextets prompts considerations of how we can safeguard the choreographer’s visionary oeuvre while staying true to her vision.
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Kia LaBeija Shelters a Queer, Black Femme Story of Collective Liberation
The strength in LaBeija’s Performa debut comes from her ability to use Oskar Shlemmer’s Bauhaus ballet as an outline, while organically combining the talents of people in her community.
Posted inPerformance
A Live Podcast Centers Stories From Bosnia, Palestine, and Mexico
In its best moments, Radio Live made the world feel smaller with rich vignettes from lives we might have little intimate access to.
Posted inPerformance
A One-Man Show Repackages Michel Foucault for the Age of Trump
This boldly minimalist production — a co-presentation of FIAF’s Crossing the Line festival, the Invisible Dog Art Center, and The Cooper Union directed by Fanny de Chaillé — revisits a text written for times of upheaval.