HaRaKa Platform’s Cairo KitKat Club pales in comparison to virtual performances mounted with only a fraction of the institutional support.”
Inspired by Nam June Paik, Performa is Bringing Back the Telethon
The 8-hour online program will debut new works, reimaginings, and collaborations by artists such as Yvonne Rainer, Glenn Kaino, Barbara Kruger, and the WideAwakes.
On Election Day, a Performance Remembers a Woman Who Fled Enslavement
Starting at Seneca Village and ending at the Manhattan Trump Hotel, artist Dragonfly honored the legacy of Ona Maria Judge Staines, who escaped from George and Martha Washington’s enslavement.
A Performance Protest Against the “Petty Thuggery of Fascist Monsters”
From sunrise to sunset, the Afield will present a new multimedia performance which mines the details and redactions of the Mueller report.
Wandering a Hollywood Film Set Destroyed by California’s Second-Largest Fire
In Fire Season, Monica Miklas invites you to the remnants of Western Town, a faux Wild West village formerly nestled in the Santa Monica Mountains.
The Original Forger of Magic
No one was as successful at impersonation and forgery as William Ellsworth Robinson, nor has anyone failed as spectacularly.
The Inheritance, a Play Haunted by Outdated Gay Archetypes
Having now announced it will close on March 15 (earlier than expected), we might look at exactly why The Inheritance failed to connect with New York audiences.
Two Plays by Downtown Legend María Irene Fornés
These plays depict a reality that seems familiar and plausible yet feels dreamlike, monumental, and mythical.
Pole Dancing to the US National Anthem
Gerard & Kelly’s performance State of unpacks enduring symbols of nationalism, patriotism, and masculinity.
The Spiritual Side of Performance
A performance series that asks, “What is sacredness?”
A Minimalist Take on Medea Delivers Maximal Drama
In Simon Stone’s adaptation, the conflict is not cultural but psychological, and viewers can’t help but empathize with her.
Staging the Work of Ballet Amid Noguchi’s Expressive Sculptures
For Contract and Release, choreographed by Brendan Fernandes, three dancers assume their positions amid a selection of Noguchi’s works that allude to the human form and proceed to slowly perform a prescribed set of tasks.