John Yau on Jeff Koons

Also: Sprinkler debacle at the Studio Museum in Harlem, Ellen Harvey’s lost places, and a galaxy of armor.

Have you ever had a “but what does it mean” moment with an artwork? When you wonder if you’re missing something? I had one the first time I saw a picture of Jeff Koons’s sculpture “Michael Jackson and Bubbles” (1988), as a fine art undergraduate. Was it supposed to be good, or so bad that it was good? Was it a parody or an homage?

John Yau brings a critical eye and acerbic wit to his review of Koons’s current Gagosian exhibition. For Yau, these highly polished porcelain sculptures perfectly mirror the values of the one-percenters who buy them (think Trump donors). Billionaires admiring their reflections in a Koons — I think I finally get it.

Natalie Haddad, reviews editor


A visitor snapping a photo of Jeff Koons, "Kissing Lovers" (2016–25) at Gagosian Gallery in New York (photo Hakim Bishara/Hyperallergic)

Jeff Koons’s Reflective Sculptures Mirror the One Percent

Seeing your distorted image in one of these porcelain sculptures may be novel, but they are “not mirroring the selfie-takers as much as those who identify with Koons’s aesthetics, and believe his work is an important contribution to art history and culture.”


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The Top Four Tax Mistakes Every Artist Makes

Learn the most common mistakes artists make on their taxes and how they cost you time and money. In this free class, Hannah Cole, artist and author of Taxes for Humans, will share her four-step framework to make your taxes easier while feeling valued as an artist, and the secret to stashing more in your savings. Tuesday, January 27, at 12pm (ET).

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News

West wall of Ben Shahn's "Meaning of Social Security" mural in the Cohen Building in Washington, DC (photo by Carol Highsmith via Library of Congress)

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Rhode Island School of Design Pre-College Enrolling for Summer 2026

RISD Pre-College now offers in-person and virtual program formats for young artists anywhere in the world. Students will join RISD's creative community in an intensive summer program, engaging with a cohort of like-minded peers to build their portfolio and forever shape their approach to art and design.

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From Our Critics

Ellen Harvey, "Riverview Park" (2021), oil and acrylic on Gessoboard (photo by Etienne Frossard)

Ellen Harvey’s Elegy to Lost Places

Her painting series is a record of those grand and mundane places lost to time or other occurrences, whose presence we continue to mourn. | Lori Waxman


In Shiny Armor

Unknown artisan, “Maximilian Field Armor” (1525–30), steel, leather, modern restorations (photo Sarah Bond/Hyperallergic)

A Millennia-Long Fascination With Armor

Sarah Bond takes us through a new installation of the Worcester Art Museum’s armor collection — the second largest in the country. “As it turns out, the setting of knights’ tales doesn’t just take place in the storied landscapes of the European Middle Ages,” she writes. “They stretch across Eurasia, Africa, Japan, and beyond” — even making their way to “a galaxy far, far away.”


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NXTHVN – Studio and Curatorial Fellowships
Up to seven early-career visual artists and two curators participate in a paid, 10-month intensive mentorship-driven residency in New Haven, Connecticut. Fellows are also matched with a high school apprentice for one-on-one mutual learning. Read more on Hyperallergic.

Deadline: March 2, 2026 | nxthvn.com

See more in this month’s list of opportunities for artists, writers, and art workers!


Member Comment

Antonio C. Cuyler on Bryan Martin's "Accessibility Should Be at the Center of Museum Education":

Mr. Martin thank you for your article! I enjoyed reading it, especially because it's exactly the critical reflective practice I envisioned accompanying an article that I co-authored last year in the Journal of Arts Management, Law, and Society entitled, "Cultural Policy of the Oppressed." It's also curious to me that Bush signed the ADA into law during the AIDS epidemic. We could benefit from more knowledge about how ACT UP and other like minded organized protesters enabled a reformed healthcare system that lifted the boats of all people with disabilities, even if the policy lacked an explicit regulatory agency to protect their rights, including their creative and expressive rights. Do you plan to write any more on the topic, especially centering Outsider artists?

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Now Streaming

Film still of Secret Mall Apartment (2024), directed by Jeremy Workman (photo courtesy Wheelhouse Creative)

A Group of Friends Walks Into a Mall, and Stays for Four Years

Was it a crime? A prank? A work of art? A new documentary unveils the full story of an artist collective’s secret mall apartment, and other ephemeral actions. | Kathy Ou