Features
Tribeca Galleries Discuss Reporting Street Vendors, Drawing Criticism
A group of galleries met to address the “increased number of vendors” on and near Broadway, many of whom are immigrants under threat.
Latest
Opinion
After the Strike, Will Art Galleries Be Allies?
If deleting the social media post tomorrow would change nothing about how artists are paid or how resources are allocated, the gallery’s allyship is disposable.
Art Review
Eugène Atget, Readymade Icon
An exhibition retells the story of his discovery by Berenice Abbott, leaving out the details of a life defined by failure.
Book Review
Claude Cahun’s Survival Guide for the Ages
A new translation of the French artist’s 1930 memoir is a kaleidoscopic collection of dialogues, sketches, and Blakean proverbs.
Art Review
James Castle Was a World Unto Himself
These works feel almost metaphysically transportive — like a universe bound by a different set of rules that’s a pleasure to explore.
Community
Art Movements: The Brooklyn Museum's New Top Contemporary Art Curator
Plus, the Newark Museum, Grey Art Museum, and the Clark Art Institute get new directors.
Art Review
Michelle Segre’s Impermanent Worlds
By remaining open to time and its effects, Segre’s art defies the idea of permanence often associated with both sculpture and empire.
News
Museum of Fine Arts Boston Lays Off 33 Workers
A union representative said the unit is “deeply concerned” about the impact of the staff cuts on affected and remaining workers.
Community
Required Reading
This week: an 18-year-old painter in Gaza, Zohran’s documentarian, anti-ICE art sleds in Minnesota, the brilliance of “Heated Rivalry,” hidden reggaetón history, and more.
News
Lisa Funderburke Tapped to Lead Newark Museum of Art
She’ll join New Jersey's largest fine art museum after nine years at the helm of the Artist Communities Alliance.
Interview
The Moment Caravaggio Became Caravaggio
What can an early painting tell us about an Old Master? We asked the Morgan Library’s curator to find out.
Community
A View From the Easel
“I like seeing how my pieces change in the daylight versus the dawn.”