Film
Fascist Leanings in the Desert
Rojo, the third feature by Argentina’s Benjamín Naishtat, summons and dissects a culture which masquerades psychological malaise as raw force.
Film
Rojo, the third feature by Argentina’s Benjamín Naishtat, summons and dissects a culture which masquerades psychological malaise as raw force.
Film
Originally presented at UCLA’s Film & Television Archive, a film series brings rare 16mm prints by the legendary filmmaker to the Museum of the Moving Image in New York.
Film
A trio of documentaries playing at this year's Japan Cuts festival tackle different facets of social alienation.
Film
This week, the Quad is screening a series of the blood-spattered, sultry Italian thrillers from the 1960s and ’70s.
News
Also, Ai Weiwei won his suit against Volkswagen, there was a deadly arson attack at a Kyoto animation studio, and more.
News
Plus, the Pérez Art Museum Miami receives $1 million for its Caribbean Cultural Institute, Spain's Museo Nacional del Prado acquires 11 new works, and Penske Media buys Art Market Monitor.
In Brief
Developers looking to build their 100-story waterfront skyscraper are up against a grassroots community effort to stop their project that just scored a major win.
Art
Maar's photographic experiments reject the pretense of naturalism in straightforward photography and attempt to achieve something much deeper than resemblance.
Announcement
Artists are invited to submit proposals for a signature sculpture that will occupy an elevated plaza at the main entrance of 50 Main Street. Applications are due by Friday, September 13.
In Brief
A 41-year-old man howled, “You die!" as he attacked workers at Kyoto Animation this morning by setting the building ablaze. Police are still investigating his motive.
News
Doğan and three other artists adorned their bodies with cave paintings from Hasankeyf, an ancient Mesopotamian city, to protest its imminent destruction caused by the construction of a new dam.
Art
At the Katzen Art Center, Maia Cruz Palileo portrays the resilience of ordinary people, setting the stage for greater discussions of postcolonial heritage.