Art
An Art Nouveau Interpretation of the Minoan World
Restoring the Minoans: Elizabeth Price and Sir Arthur Evans at the Institute for the Study of the Ancient World revisits the archaeology of Knossos through a contemporary video installation.
Art
Restoring the Minoans: Elizabeth Price and Sir Arthur Evans at the Institute for the Study of the Ancient World revisits the archaeology of Knossos through a contemporary video installation.
Art
From cemetery monuments and statues allegorizing reunification to an obelisk that functions as propaganda for "Lost Cause" rhetoric, the city's monuments make a blanket approach impossible.
Art
This week, considering Etel Adnan, MVRDV’s "fake" Binhai library, the aesthetics of Empire, the end of Twitter's utopian ideals, mapmakers and horror vacui, and more.
Art
Hayv Kahraman, a half-Kurdish Iraqi and naturalized Swede living in the US, is no stranger to identity politics.
Music
Critics overstate the extent to which Uzi and other new rappers have absorbed the influence of emo, which lately seems to have become a buzzword for vulnerability and interiority.
Art
There is a ceremonial aspect to the way Alison Hall makes these works, from the sanding of the plaster to the painting of the surface, to the drawing of the dots, to whatever she does next.
Art
The great satirists — Goya, Daumier, Guston — understood that caricature is a complicated mix of anger, humor, and empathy.
Interview
Essenhigh and Mumford — who live together and work in adjoining studios on the Lower East Side — are unafraid to make declarations about what motivates the other.
Art
By illustrating the impact that the Great Mississippi Flood of 1927 had on Southern black communities, Saar exposes a neglected history and its resonance with environmental racism.
Art
This rigorous exhibition uses art to critique the stereotype that men and technology go hand in hand
Art
Stanley Rosen’s ceramic sculpture is like a country that many of us never knew was there until now.
Art
In the new exhibition Kiefer Rodin, Anselm Kiefer draws a straight line between himself and the grand old man of French sculpture.