Performance
Dancing to the Glacial Rhythms of Ice
“There is no surer way to be derivative than to be unaware of your history,” dancer-choreographer Jody Sperling said in a 2014 interview.
Performance
“There is no surer way to be derivative than to be unaware of your history,” dancer-choreographer Jody Sperling said in a 2014 interview.
Interview
Wife and husband duo Maria Hupfield and Jason Lujan investigate the question of how to unmoor markers of identity from essentialized contexts while maintaining cultural heritage as a central part of one's art practice.
News
The flags of all 50 states hang in plain sight over the nave of the Washington National Cathedral, but for decades, two Confederate flags went largely unnoticed.
Art
MEXICO CITY — Aeromoto, a small public library founded at the beginning of 2015 in the Juárez neighborhood, evolved gradually and continues to mature as a cohesive and challenging project.
Art
LONDON — Every time Gonzalez-Torres’s work is exhibited, a critical opportunity arises.
Comics
In the beginning …
Art
Sure, the 14,000-year-old cave paintings recently found in Spain are impressive, with their romping bison and horses, but a far older ancient art mystery is being untangled in France.
Art
WASHINGTON, DC — I had a moment of hesitation when walking into the CrossLines exhibition, particularly when I saw the subtitle, “A Culture Lab on Intersectionality,” and the blurb that further claimed that “40+ artists and scholars explore race, gender, class, ethnicity, religion, sexuality and dis
Art
Hyperallergic’s horoscopes offer astrological advice for artists and art types, in art terms, every month.
In Brief
Banksy's newest work is neither a snide jab at politicians nor a big "fuck you" to the police — instead, it's a gesture of gratitude to children at a school in Bristol.
Art
On first seeing an image of Barack Obama’s head festooned with small figurines of previous United States presidents I took an immediate dislike to Brian Tolle’s solo show POTUS at CRG Gallery.
Art
PHILADELPHIA — Of all the astonishing things Roberto Lugo has done in his career — from creating a DIY potter’s wheel and mixing his own clay from dirt in an urban scrapyard, to creating a new genre of hip-hop-inflected political porcelain — the most radical might be that he is head over heels in lo