Art
Lessons in Gigantism: Richard Serra Makes It Work
And then there’s Richard Serra, whose double-gallery blowout at Gagosian is Exhibit A for material-intensity-meets-overwhelming-scale. There’s nothing else like it.
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Art Movements
This week in art news: Ukrainian border guards recovered 17 paintings stolen from the Castelvecchio Museum, Greece renewed its bid to have the Parthenon Marbles repatriated, and a neurologist claimed to have diagnosed the condition of the woman in Andrew Wyeth's iconic work "Christina's World."
News
A 19th-Century Birdcage Automaton Comes to Life, and Auction
Shimmery, singing birds flit from perch to perch and a butterfly flaps its hand-painted, iridescent wings above an animated fountain on a three-tune musical automaton birdcage clock by Bautte & Moynier.
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Art
An Exhibition About Black Lives, with a Gendered Focus
I Can’t Breathe, now on view at the Art Gallery at the College of Staten Island, is a dissonant show.
Art
J Dilla Gets Reanimated in a Video Collage
After a decade of anticipation, The Diary, a long-lost solo album by late hip-hop legend J Dilla, was released last month.
Art
From Silver Screen to Boob Tube, Mass Media Art Goes to the White Cube
That film is open to all sorts of escapes, inspirations, and incursions has long been the stuff of movies.
Art
A Sly Airbnb Homage to Marcel Broodthaers
Broodthaers was an artist who developed an inflammatory and unruly practice, playing with notions of expectation and frustrating them.
Comics
It's Not Broken In Yet
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Art
Russia and Syria Use Palmyra as a Stage for Political Theater
Since its capture by ISIS in May of 2015, Palmyra has become a kind of archaeological fetish for the West.
Art
Wright Brothers' 1903 Flying Machine Patent, Lost for Decades, Will Go on Display
After a mysterious and lengthy disappearance, the historic patent documents for the Wright Brothers' groundbreaking flying machine have finally resurfaced and are now at home in the National Archives and Records Administration.
Art
From Fluxus to Selfies, Photographs that Blur the Performative and the Real
LONDON — Five figures stand cocooned in the radiating steel cables of the Brooklyn Bridge — four of them are naked and covered in painted spots, hanging out beneath a banner that reads “SELF-OBLITERATION.”