In Brief
Rejoice! The Red (Paint) Scare Is Over in Europe
Artists and paintmakers can breathe a little easier now that the European Union has officially thrown out Sweden's baffling proposal to ban cadmium pigment from paint.
In Brief
Artists and paintmakers can breathe a little easier now that the European Union has officially thrown out Sweden's baffling proposal to ban cadmium pigment from paint.
Art
WALTHAM, Mass. — At root, Lisa Yuskavage is a portraitist. And while detractors still summon up the provocations in her work, focusing on the perkily carved breasts and openly displayed genitalia, those aspects are only a single, thin veneer atop the subjects she paints.
Art
PARIS — Where the newness of art comes from (when it comes) is something of a conundrum.
Art
Year that both Paul Gauguin and Edvard Munch viewed a Peruvian mummy in Paris, now at the Musée de l'Homme, which may have inspired the howling expression of Munch's "The Scream" = 1889
Art
When French photographer Jean-François Jaussaud asked an 84-year-old Louise Bourgeois for permission to photograph her at her New York home and studio, she gave him an intimidating stipulation.
News
A legendary Russian gallery is being evicted after holding a charity event supporting political prisoners.
Art
In 1920s Hamburg, a dancer couple created wild, Expressionist costumes that looked like retro robots and Bauhaus knights.
Art
HAMTRAMCK, Mich. — “I want to know what love is,” artist Scott Northrup confides in me via email, and his reference to the Foreigner song of same name is neither ironic nor unintentional.
Art
In Layers of Fear, a new game by the Poland-based Bloober Team, you are an artist who has gone completely insane.
News
The Brooklyn Museum today became the first in the US to host a public collection point for Legos to send to Ai Weiwei.
Books
With a scythe in one hand and a skeleton's face gazing out from a cloak, Santa Muerte appears like a cross between the Grim Reaper and the Virgin Mary.
Art
The Swiss Institute’s second annual architecture and design exhibition attempts to recapture the revelatory voice of Le Corbusier for the technological age. The results are more cumbersome than visionary.