News
Twitch, the live streaming website that lets millions of viewers follow along as users play their favorite video games — complete with live commentary — has expanded into art.
Art
HUDSON, NY — All 12 of Ying Li's furiously brushed, vibrantly hued landscapes look to have been produced by a cathartic burst of energy.
Art
High-resolution aerial images captured by kites and drones could reveal hidden fossils in northern Kenya's Turkana Basin, where the high temperatures and uneven terrain makes on-the-ground archaeology difficult.
Art
LONDON — To better understand these early, rarely exhibited sound works, visitors have to go back in time.
Comics
When art has a second life …
Opinion
This week, the origins of color, what art museums today should look like, a guide to feminist cybersecurity, a tax safe haven for selfish art collectors, emoticons as court evidence, and more.
Opinion
“Driven by fears that an aging population could jeopardize China’s economic ascent,” writes Chris Buckley in The New York Times, “the Communist Party leadership ended its decades-old ‘one child’ policy on Thursday, announcing that all married couples would be allowed to have two children.”
Art
PHILADELPHIA — As I walked through the Dufala Brothers new show, Waste Dreams, currently on view at the Fleisher/Ollman Gallery in Philadelphia, I had the feeling of a dream in which I seemed to recognize everything, but none of the dimensions were right and nothing could be used for its intended pu
Art
Squeak Carnwath’s exhibition, What Before Comes After, at Jane Lombard is the artist’s first with the eponymous gallery (formerly Lombard Fried) and her first in New York since 2000.
Music
Dr. Dre has been coasting on myth for so long that the success of his new album comes as a genuine surprise.
Art
When Joan Brown began attending the California School of Fine Arts in 1955, she was immediately dissatisfied with her classes and the structure of art education in general.
Art
Frank Stella: A Retrospective, which opened yesterday at the Whitney Museum of American Art, is a brilliantly curated, blatantly overhung masterstroke of an exhibition that turns the artist’s weaknesses into strengths and his strengths into powerhouses.