Performance
Nine o’clock: the stage lights dim and a spotlight illuminates a stuffed “hero” sandwich the size of a small sofa. The opening melody of Tina Turner’s “We Don’t Need Another Hero” — hit theme song from Mad Max: Beyond Thunderdome — fills BAM’s Fishman Space.
Art
PARIS — The essence of branding is the insistent repetition of a recognizable commodity image, so we should not be surprised when Bernard Arnault’s global luxury brand Louis Vuitton applies the same formula to art.
Art
Two words in the English language describe what it means to be alone. "Solitude" results from a willful act of self-reliance, while "loneliness" stems from being involuntarily deprived of company. For most artists, though, the boundaries between these states of being are less sharply defined.
Art
For over five decades Chief Solomon Osagie Alonge photographed the royal court and everyday life of Benin, Nigeria. Drawing on their collection of over 2,000 glass plate and large format film negatives, as well as around 100 prints, the Smithsonian National Museum of African Art is exhibiting some o
Art
There is something fascinating about seeing the spaces in which creative people work. Not only for the simple interior-decoration voyeurism it affords, but also for the ways their desks, easels, drawing boards, dark rooms, workshops, and so on reflect the ways their minds function.
Art
SAN FRANCISCO — Follow a major social movement today, and unless you can afford to travel onsite, you’re likely to experience it through photos, hashtags, and video uploads. But a movement's record has always had global resonance, distributed through a mix of broadcast and pre-internet forms of citi
Art
This week, there's a show from wunderkinds Lizzie Fitch and Ryan Trecartin, a terrifyingly terrific Circus of Death, the release party for Night Papers Six, and surreal new drawings from a venerated textile artist.
Comics
Jean Seberg wasn't troubled at first, but then the Feds started to harass her for donating money to the Black Panthers.
Art
Bedraggled tutus? Rogue angel wings? Dried tofu twists? Though unidentifiable, the forms in David Fratkin’s five works at the Painting Center glide about with considerable self-possession.
In Brief
France's chief of state has pledged his support for the American artist Paul McCarthy, after the artist's 80-foot-tall inflatable sculpture "Tree," which bares an uncanny resemblance to a butt plug, proved intolerable to prudish Parisians.
Announcement
SCI-Arc [http://engine.nectarads.com/r?e=eyJhdiI6NjI5NTUsImF0IjoyMCwiYnQiOjAsImNtIjoxNjA5MTQsImNoIjoxOTMwLCJjciI6NTc4MzYwLCJkbSI6NCwiZmMiOjU5NTkwMywiZmwiOjMzMTQ4NiwiaXAiOiI1NC44Mi4xOTcuNTgiLCJudyI6MjA3LCJwYyI6MCwicHIiOjE2NjYsInJ0IjoxLCJzdCI6MCwidXIiOiJodHRwOi8vdmlld2Jvb2suc2NpYXJjLmVkdS8jaG9tZSIsInJ
News
How do you capture and preserve the experience of a new media artwork created on Twitter in 2010? How do you re-create the design and feel of Twitter's interface at that time, and populate that interface with users' contemporaneous profile photos?