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Posted inArt

Buy Your Tickets Now: PBR Tour This Thursday Night

This Thursday we would love for you to join us as Hyperallergic and friends will be heading to the Jersey City Museum’s Golden Door mini-golf course for a night of golf, beer, and hot dogs (and veggie dogs) on Thursday, July 22 (7-9:30 pm).

Assure your spot today by BUYING YOUR TICKET NOW, as tickets are selling fast and we may soon reach capacity and not be able to sell tickets at the door. Tickets are ONLY $15 and they support the Jersey City Museum directly.

Posted inArt

Tripping Out at Christopher Henry Gallery’s “T Minus 20”

On July 8, I covered the opening of the T Minus 20 exhibit at Christopher Henry Gallery, which hosted a huge group of artsy folks, veteran New Yorkers, and hipsters, who all showed up to support of an array of designers show off their their t-shirt, bag, accessory creations.

Among those included in the show were Christopher Lee Sauvé, Scooter LaForge, Olek, Brian Kenny, Inbred Hybrid CollectiveGio Black Peter, Marcos Chin, Fernanda Cohen, Christopher Makos, Nick Hooker, SUPERM (Slava Mogutin + Brian Kenny), Desi Santiago, Julia Oldham, Christian Weber, J. G. Zimmerman and more.

Posted inArt

Playing the Game at PS1’s Pole Dance

We perceive architecture, Walter Benjamin thought, in two ways: optical and tactile. There’s a progression over time in our optical perception of something that develops from looking at something into contemplating it. Black scratches to letters to a sign to an idea. But Benjamin didn’t think there was a tactile analog to contemplation when it came to perceiving something through touch.

Posted inArt

Two Must-see Sculpture Shows in Williamsburg: Barsamian at Pierogi, Mendelson at Sideshow

I attribute it to serendipity that there are currently two fantastic sculpture shows in the Williamsburg galleries. One is by Greg Barsamian, who creates simple sculptural forms filled with Eadward Muybridge-like animations out of metal, and the other by the masterful Shari Mendelson, who always finds a way to transform banal plastic refuse into beautiful things.

Posted inSponsored

[Sponsor] Sundays in July, Experience Some of the Decade’s Most Exciting Avant-Garde Films

Don’t miss this rare opportunity to experience 30 beautiful, provocative, and poetic avant-garde films that are part of “21st Century Limited: Experimental Films 2000-2009” on July 18th and 25th. Drawn from Film Comment magazine’s best-of-the-decade poll, six Sunday programs in July will showcase some of the most memorable experimental works from the first decade of […]

Posted inArt

YourName.com: Artists and Self-branding

All young artists are encouraged to publish their work on a self-named artist website (YourName.com) which puts them in the same arena with art-world big leagues like Olafur Eliasson, Jaqueline Humphries, and Wolfgang Tillmans. The issue of self-branding, self-publication and self-advertising come to the forefront when artist websites as a medium of presentation are critically analyzed.

Posted inNews

Short Films by Jonas Mekas Surface Online [UPDATED]

In light of yesterday’s shocking news that avant-garde filmmaker Jonas Mekas is suing art dealer Harry Stendhal for a supposed swindle, I wanted to share one positive highlight of the business relationship between Stendhal and Mekas that just surfaced online … 14 short films, which include three episodes of his 365 web project from 2007 and 11 from the 40 Short Films release in 2006. UPDATE: Thanks to an anonymous commenter, I learned that ALL the 365 web videos are on an newer Jonas Mekas site that doesn’t seem to show up on individual video searches. ENJOY ALL 40 SHORT FILMS AND ALL 365 VIDEOS AT jonasmekasfilms.com. THANK YOU, ANONYMOUS COMMENTER!

Posted inOpinion

Robert Longo Parodies Himself

Robert Longo is the king of that detached world of 80s über-cool, though in retrospect the whole “movement” (if we can call it that) was nothing like its PR. Sure, one could be fooled into thinking that Longo’s corporate figures writhing out of control were comments on the culture of the time, perhaps even foreboding what was to come — Reaganomics, corporate avarice, an extreme form of alienation — but did we really think it would lead to advertisements for Bottega Veneta?

Posted inBooks

Review of Street Art New York, by Rojo and Harrington

Imagine a gallerist bringing new art works into the gallery. She pulls her truck up to the gallery curbside, gets out, and starts taking some paintings out of the truck bed. She takes one out just as she realizes that she hasn’t unlocked the gallery doors. So, she places the artwork on the curb and sets off to unlock the gallery. This person has intentionally placed art in the street. Is it street art? Obviously not. So what makes something street art if not the art’s being intentionally placed in the street? It might even seem that street art needn’t be literally in the street at all, so long as one accepts that Blu’s MUTO and similar works are street art — as a digital video it has no literal or direct connection to the street. Street artistic status must hinge on something else. So what is it?