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VCUarts Painting + Printmaking [http://engine.nectarads.com/r?e=eyJhdiI6MjEyMTIsImF0IjoyMCwiYnQiOjAsImNtIjoxODA1MDQsImNoIjoxOTMwLCJjciI6NjU0NjkzLCJkbSI6NCwiZmMiOjY3NTU1NywiZmwiOjQwNjkyMiwiaXAiOiI1NC4yNDIuMzUuMTAzIiwibnciOjIwNywicGMiOjAsInByIjoxNjY2LCJydCI6MSwic3QiOjAsInVyIjoiaHR0cDovL2FydHMudmN1LmVk
Art
Anonymity can be comfortable, though, which is why — for many of us at least — the desire to connect rarely propels us beyond a voyeuristic curiosity about the neighbors.
Art
It isn’t often one comes across fresco paintings in art galleries, the last time I remember seeing a sizable number was the “Rooms” section of the Francesco Clemente retrospective at the Guggenheim Museum in 1999.
News
We've all heard — perhaps even grown tired of hearing — of art organizations raising money on Kickstarter, but what about fundraising on Airbnb?
Art
BOGOTÁ, Colombia — Here, where graffiti is classified as a violation rather than a crime, street artists do not have to hide. Bright murals, often uncompromisingly political, cover public walls, as well as those of home and business owners who, understanding the value (cultural and financial), allow
Opinion
This week, the case against repatriating cultural artifacts, British surrealists against fascism, Ai Weiwei on the internet, Isamu Noguchi's playground, and more.
Opinion
It's the second weekend of November, and President Obama is officially a lame duck.
Art
In a statement about her life and work written a few years back, Dozier Bell started off by highlighting her roots in Maine, which stretch back seven generations, and the role they play in the way she perceives the world.
Poetry
Mark Ford’s blurb on the back of Lee Harwood’s most recent book of poetry, The Orchid Boat (London, Enitharmon, 2014), inspired me to look up the original review from which it was quoted.
Art
In this century, the Museum of Modern Art has presented a series of exhibitions of women artists from other countries: Lygia Clark, Isa Genzken, Alina Szapocznikow, Sanja Ivekovic, Marina Abramovic, Marlene Dumas, Pipilotti Rist, Lucy McKenzie. But very often, the accompanying texts place them in an
Art
Very few creations are as hard to pin down as those produced by the most original self-taught artists, who primarily make their art for themselves rather than for the market or the public.
Art
“To a new world of gods and monsters” is the promethean pledge from one mad scientist to another in James Whale’s classic Bride of Frankenstein (1935), but it’s easy to imagine the same toast echoing from a Montmartre studio in 1909 as Pablo Picasso and Georges Braque raise a glass to the fractured