Art
ALBUQUERQUE — Not often, when a popular board member leaves an arts organization, do constituents get riled enough to do something about it, other than perhaps grumble on Facebook. However, John Torres Nez’s resignation from the Southwestern Association of Indian Art in April tapped a well of discon
In Brief
In an ongoing case, Australian artist Paul Yore is facing child pornography charges following complaints concerning his work in a group show on view last year at Melbourne's Linden Centre of Contemporary Arts.
Comics
Why do people ask this all the time?
![Man Vandalizes Jeff Koons Retrospective [UPDATED]](/content/images/size/w600/hyperallergic-newspack-s3-amazonaws-com/uploads/2014/08/monty-koons-home.jpg)
News
A man briefly disrupted the Jeff Koons retrospective at the Whitney Museum this afternoon, splashing red paint against a wall and signing his name.
In Brief
Gwangju Biennale Foundation President Lee Yong-woo has resigned over the censorship of an artwork by the Korean government, the Korea Herald reported.
Announcement
New York Studio School [http://engine.nectarads.com/r?e=eyJhdiI6NTIzNSwiYXQiOjIwLCJjbSI6MTM5OTQwLCJjaCI6MTkzMCwiY3IiOjQyMTMzMCwiZG0iOjQsImZjIjo1MDgyMzEsImZsIjoyNjE1NDcsImlwIjoiNTQuODIuMTk3LjU4IiwibnciOjIwNywicGMiOjAsInByIjoxNjY2LCJydCI6MSwic3QiOjAsInVyIjoiaHR0cDovL3d3dy5ueXNzLm9yZy9wcm9ncmFtcy1jb3Vy
News
Yesterday brought the news that Brooklyn is getting an art biennial.
In Brief
A new law in Delaware has made digital devices and accounts inheritable, the first such measure in the United States, Ars Technica reported.
Art
PARIS — I used to abhor Nan Goldin’s “The Ballad of Sexual Dependency” (1979-1986), her famous 45-minute operatic show of 800 color slides set to a choppy 80s pop music soundtrack.
Hyperallergic
Hyperallergic is proud to announce that we're the media partner for the 2014 Elastic City Walks Festival.
Books
Making comics about the art world is an excellent idea. And so, the premise of Brecht Vandenbroucke's White Cube is full of promise.
News
Today, Riverbed, Olafur Eliasson's first solo exhibition at Denmark's Louisiana Museum of Modern Art, fills the museum's South Wing with dirt and rocks of all sizes, complete with a narrow, meandering trench of water, to transform the space into a craggy landscape.