The Guerilla Girls caused a big stir in the late 1980s and 90s but now a founding member of the once revolutionary group talks about the Georgia O’Keeffe show, which makes me wonder, “Are they still relevant?”
Artcards brings you to art by making it easy to find and go to art openings and events of all kinds.
Launched in 2005, Artcards now reaches 15,000+ artists, critics, gallerists, and art enthusiasts each week in New York, San Francisco, Los Angeles, and Miami. What separates Artcards from other art is their comprehensive listing of art events.
The Guardian’s Jonathan Jones doesn’t have time for contemporary art history. In his latest post, “The trouble with art history? It’s boring,” he explains why: Perhaps art history is coming to its senses, and learning to tell stories that bring great art to life. If so, it is finally catching up with historians, paleontologists and […]
… new cargo regulations have some in the art world on edge … the New York Observer kisses up to the critic who ate any semblance of sanity … three newspapers are named the World’s Best Designed.
In the world of graffiti, Martha Cooper is a cult figure. She’s an old skool photog who, along with Henry Chalfant, documented the fast-changing world of New York graffiti and unintentionally helped make it sexy and digestible for public consumption. Her book Subway Art, co-authored with Chalfant, kickstarted the graff book genre that has ballooned (for better or worse) into a full-blown field that witnesses hundreds of books published a year.
Since the influence and impact of Subway Art is well-know, I chose to focus this review on two more recent works by the graff photography veteran which were published in that last few years, Tag Town: The Evolution of New York Graffiti Writing and Going Postal.
Boston artists understand that the city’s contemporary art community lacks punch. After all, they’re the ones in the middle of it, surrounded on all sides by curators, galleries and critics. As artists have responded to the problems set out in my series on the Boston contemporary art scene, their comments point towards a working answer for one question: how could the Boston art community be made better for the city’s artists?
Trickster and art star William Powhida is at it again and he has partnered with the Brooklyn Rail to produce a limited edition t-shirt, titled “Howdy Koonsy.” The t-shirt is available in an edition of 666 and you can be sure they will go fast!
Arts institutions often tell us to expect great things from their inhabitants. Take the Metropolitan Museum of Art, for (an extreme) example. As you approach it on Fifth Ave, the first thing you see is a monumental stair case leading up to huge doorways flanked by towering columns.
If you make it up the two dozen steps, past the columns, doors, and security, you enter a vast breathtaking atrium. This is your pre-launch prep station.
… a Manhattan gallery is being accused of selling a Basquiat without the owners permission … the 2009 New England Art Awards have been announced … the Museum of Contemporary Art Cleveland is getting a new building … Transport of London has banned posters for Massive Attack’s latest album because it resembles graffiti … a sanctioned mural on private property is threatened in LA.
Being part of the art world means that many of our jokes fall flat or are incomprehensible to outsiders. That’s alright, this poster of traditional Western art history makes the art geeks among us chuckle, while it might just help the uninitiated get up to speed.
The war of words between two major New York art critics escalated yesterday when Saltz used his very public Facebook wall to shoot back at Yau for the Brooklyn Rail art editor’s accusation of Saltz being a Koons apologist.
You may think that you know every meaning of the word reactor, but think again. We’re adding a new definition to the dictionary …