Recess opened on Grand Street in September as a storefront artist residency space open to the public, and their inaugural show by Corin Hewitt and Molly McFadden, Double Room, tackles questions of replication, authorship, documentation, labor-as-performance, and collaboration.
An Xiao organized a 40th Anniversary tribute to Vito Acconci’s “Following Piece” (1969) for @Platea, the social media art collective she performs with. She likes to call what she did a form of “cover art” and she explains why.
… a lull in Iraqi violence helps spur cultural activity … homeless artists in Austin, Texas, have an art show & benefit … art mogul Eli Broad is scouting for a museum location … artist Sam Bassett is arrested for trying to make New York’s Sotheby’s building into art.
Daniel Larkin reflects on Brent Owens’s solo show Gnastic Pursuits, which took place earlier this fall at the English Kills Art Gallery in Brooklyn. Describing his work, Larkin writes, “Owens likewise takes the rich tradition of wood carving and melds it with that millennial taste for biting wit and quirks of fate.”
While Main Street continues to hemorrhage jobs and Wall Street revives its ridiculous bonus system, the elite among us — most notably the trustees of the New Museum — will probably be very interested to know where they should stash their valuables during these sad times in case, well, in case … which brings me to one of my favorite topics: stolen art.
Many thanks to Pernod Absinthe for supporting the arts and believing in independent and emerging voices in the arts.
This week, they are pleased to announce the Pernod Absinthe “Creator Of” Art Contest.
Artist/Artshow is an image-heavy book produced this year by AllRightsReserved, a self-described creative studio based in Hong Kong that seeks to publish high-quality texts which explore issues related to the visual arts. You’ll love the pictures but …
Artist Kevin Regan grew up in a family of Reagan Democrats. Today, he continues to be plagued by Reagan, and he uses the image of our 40th President in his own personal art. To amplify the trauma, we asked Kevin to visit a recent exhibition titled Reaganography and report on what he saw.
… Kiev awaits its own art destination-worthy art center … Banksy gets marked up before people have a chance to vote about keeping it or not … the Getty Trust & the Egyptian gov’t is working together to preserve King Tut … a San Francisco muralist gets stabbed on the job … the Obama’s send mixed messages on art … a report from BETA Spaces in Bushwick.
Jack Early has turned over a new leaf. Accused of racism in the early 1990s for an installation he created with then-partner Rob Pruitt (and recently recreated at the Tate Modern for their “Pop Life” exhibition), Early fell from grace, spent many years underground, and now has reemerged with a striking exhibition at Williamsburg’s Southfirst gallery.
Ah, the e-flux email list, ever full of surprises. One day it might elicit a cri de couer of indignation (“really?”), and the next day just a dramatic eye-roll. Sure it’s a very useful tool, but it’s also chock-full of self-important curatorial jargon, exaggerated claims, and overblown PR-ese…Which brings us to Hyperallergic’s new semi-regular feature: Worst. Press. Release. Ever.
Two weeks ago, I found myself in Los Angeles with an afternoon to kill. I ventured to the Los Angeles County Museum of Art and stumbled across a small exhibition by 18th C. Spanish still life painter Luis Meléndez. The exhibition, titled “Master of the Spanish Still Life,” was a quaint two-room show decked out with bizarre gray stucco walls treated with a ragging technique that made it look like a display at a suburban home furnishings shop. Faux finishes aside, what immediately struck me as I perused the canvases were two works in particular that I would characterize as Rococo food porn — they were pretty hot.