Opinion
Required Reading
This week, the state of artist studios, doxxing mania, startup slavery, Zwirner talks to Charlie Rose, fetishizing slums, where people read most, best graffiti of the week, and more.
Opinion
This week, the state of artist studios, doxxing mania, startup slavery, Zwirner talks to Charlie Rose, fetishizing slums, where people read most, best graffiti of the week, and more.
Opinion
This week marked the opening of the last Whitney Biennial before the museum exits its historic Marcel Breuer building, as well as the last Brucennial, courtesy of the Bruce High Quality Foundation, before it exits the scene for good.
Art
Against the backdrop of belated examples of race-related “progress,” it is illuminating to flip through the pages of American cultural history and discover that almost a century ago, a black, classically trained modern artist, Archibald J. Motley, Jr., was using paint on canvas to address such nuanc
Art
For Gideon Bok, painting, which has historically been defined as a container, a window, or a two-dimensional surface, is at least all three at once. Although I have no proof, I also felt that Bok may also think of painting as a screen.
Art
This year's Armory Show may have stopped the bleeding for an art fair that has suffered from years of lackluster energy and a major blow delivered by the Frieze New York art fair, which began two years ago on a bucolic urban island and in the far warmer month of May. But no one should count out the
Art
I was born in 1983. Just shy of my 31st birthday, it occurred to me that somewhere after 1984 — virtually my entire lifetime — painting disappears almost entirely from most books on contemporary art history.
Art
The dream of a completely immersive visual experience haunts modern art. The most famous example in painting, Monet’s Waterlilies installation, dedicated in Paris’s Orangerie in 1927, has behind it a rich history of popular entertainment: the panorama, invented in the late eighteenth century and a m
Art
Susan Rothenberg’s painting, “Untitled” (1974), couldn’t be more basic — brushstrokes of dusty red ochre scrubbed across a canvas; the image of a galloping horse bisected by a vertical line — but you’d be hard pressed to find a more compact expression of what painting is and what it can be.
Interview
For those seeking an antidote to the Armory madness this weekend, Distant Images, Local Positions, curated by Wafaa Bilal at the Project Space of the Elizabeth Foundation for the Arts, is an edifying alternative.
Art
Fountain Art Fair, now in its eighth year, continues to be the go-to Armory Week fair if you want see and buy art that's more alternative or DIY, less brand-name and thus less expensive than what you'd get at the Armory Show, or even Volta.
Art
In a small room on the top floor of the Old School building at the corner of Mott and Prince Streets, floor-to-ceiling shelves are lined with pictures of disembodied heads and torsos adhered to off-brand canned goods.
Art
Two artists are engaging in a durational experiment in tandem compact living in Pierogi gallery's the Boiler in Williamsburg, Brooklyn, a neighborhood where plenty of viewers have probably experienced the complications of life in small unstable spaces.