Art
Leaving Home: René Magritte in Brussels and Paris
In his dismissal of Magritte: The Mystery of the Ordinary, 1926–1938 — the recently opened retrospective of René Magritte (1898-1967) at the Museum of Modern Art — the New York Times’ Holland Cotter cites the ubiquity of the Belgian surrealist’s images and the relative paucity of insight to be glean