Maybe the name “float” welcomes the flood. After skipping the journey to Queens the previous Sunday due to the torrential rains, I finally made it to Socrates Sculpture Park two weekends ago for FLOAT: Field of Dreams, the fifth edition in the biennial series of “ephemeral and interactive art.”
Required Reading
As we hunker down for Hurricane Irene, we decided to make this week’s Required Reading a photo-heavy one. From images of chairs to maps comparing New York to cities around the world, there are images galore in the links.
New Energy Among Art Handlers As They Continue to Fight Sotheby’s Lock Out
Hurricane Irene may be fast approaching, but there was another type of storm in full force yesterday in front of the Sotheby’s auction house on 72nd and York Avenue in Manhattan. Art handlers of the Teamsters Local 814 union, who were locked out of their jobs at Sotheby’s earlier this month,doubled their efforts to make their anger heard. Hundreds of workers and supporters took over the usually staid streets of the Upper East Side in front of the Sotheby’s offices, shouting for union rights.
UPDATE: ALL Major New York Museums Closed for Hurricane Irene
As the storm approaches, here’s a helpful list of what New York-area museums will be closed for the big storm on Saturday and Sunday we are receiving word that almost ALL New York museums will be closed on Saturday and Sunday. We highly advise people to not attempt to visit the city’s museums during this weekend’s hurricane.
Considering the Images in “The Glass Ceiling”
Photographer Jill Greenberg’s show “Glass Ceiling” at Clamp Art presents outtakes from one of her commercial editorials and plays them off as feminist art, but are they?
Stephen Colbert on Art Redux
There’s nothing like an entertaining compilation of art-related Stephen Colbert banter to brighten up your pre-hurricane Friday. Enjoy.
An Adventure at Best, An Art Project At Worst
Biking down the boardwalk in the Rockaways, Queens, I glanced behind me at the storm clouds approaching fast. Thunder ripped loudly, and lightning began to flash with increasing regularity. My friend and I had been riding for 15 miles already. We were on our way to Boggsville Boatel and Boat-In Theater, part of art collective Flux Factory’s summer-long extravaganza, Sea Worthy. The show features artists making work “about, around and on the waterways of New York City,” and includes water excursions, processions and boat-building workshops.
Why So Serious? A Marriage of Theory and Commerce
So, I have to be honest, I don’t know if I am totally sold on the whole group show thing. It makes sense within the scope of the art center, alternative space or museum, but I sometimes question its benefits in the commercial art world. I think the point of the theoretical, thematic or art historical exhibition, should ideally, be just that, an end into itself. What I am suspicious of are the sorts of “group show” exhibitions that serve as a thinly veiled gathering of gallery stable artists.
Joining A Contemporary Art Biker Gang With John Waters
Pope of Trash, filmmaker John Waters, who is known for his filthy classics like Pink Flamingos, Female Trouble and Hairspray, has joined a biker gang. Surprisingly, it is a contemporary art biker gang.
Cheryl Means Camp, Bling, Parties & Garfield Tattoos
This is the last weekend to visit performance art/party collective Cheryl’s show on Williamsburg’s Bedford Avenue, where they have set up shop in the Rawson Projects. This quirky group of artists with an obvious affection for glitter, masks and videos are silkscreening tshirts and totes and selling the artifacts from their parties over the years.
Artists Launch Offensive Against San Diego
SAN DIEGO — Ahead of the upcoming Art San Diego Contemporary Art Fair, the Periscope Project, a collective of artists, architects and urban planners, are taking to the streets of San Diego with a project that confronts the city’s military complex, conservative politics and its reputation as a non-cultural hot spot.
The Plastic Bag as Artistic Muse
In Patrick Griffin’s recent exhibition at The Journal Gallery in Williamsburg, Common Courtesy, he focused on an unusual subject matter: the plastic bag. If you live in a major city then you are more than familiar with these little guys; they accumulate under your sink, get stuck in that storm drain you always walk by on your way to work and blow urban tumbleweeds across the street at all hours of the day and night. Though the artist’s focus is playful and somewhat off kilter, his approach to this body of work seems almost scientific. Griffin collected, catalogued and scanned an army of plastic bags into the computer. Using this databank as his starting point, the artist made paintings directly from the two dimensional planes of these photographs.