Comics
What Do You Expect from Your Art?
You can't always guarantee how people see things.
Comics
You can't always guarantee how people see things.
Interview
CHICAGO — An artist-run non-profit organization, Gina Reichert and Mitch Cope's Power House Productions works to develop and implement neighborhood stabilization strategies in Detroit, a city where property is cheap and the stakes are high.
Art
What happens when you die? Well, in a literal way, what happens to everyone else. You're likely to have a traditional, costly, funeral, and then a small slot of land in a quiet sprawl of cemetery will be yours.
Opinion
This week, Banksy hates the new Freedom Tower, North Korean visions of China, Turkey's ban on the letter "q" is over, Byzantine in DC, a black art show that marginalizes black artists, and more.
Opinion
This week, danger!
Art
About her work, Shirley Jaffe has stated: “I want a certain tenseness, a congestion or a combination of forms in which none is stronger than any other. I’m interested in the idea of coexistence.” In her current exhibition, Shirley Jaffe: Paintings from the 1970s at Tibor de Nagy (October 17–November
Art
You don’t see Kyle Staver’s dark, moonlit domains so much as become their invisible and unacknowledged witness and ally. In an age riddled with cynicism and laced with irony, she envisions a shameless alternative in which mythological figures, such as Daphne, Andromeda, Syrinx, Perseus, and a satyr,
Books
“Being born in Scotland carries with it certain responsibilities.” That observation, made by Derek Taylor, the Liverpool-born newspaperman who became the Beatles’ press officer, was irreverently included on the back cover of John Lennon and Yoko Ono’s record album The Plastic One Band/Live Peace in
Music
In part 2 of this month, reviews of a workout mix, Drake, Justin Timberlake, and Lorde.
Art
Balthus: The Last Studies at Gagosian Gallery offers a kind of endnote to Balthus: Cats and Girls — Paintings and Provocations, the exhibition a couple of blocks away at the Metropolitan Museum of Art. It’s a denouement that disentwines the cultured from the creepiness in Balthus’ work, leaving only
News
Banksy's latest looks spooky.
Art
Rarely have I spent so much time looking in amazement at the skill of an artist to transform paper as I did with Brian Adam Douglas's excellent How to Disappear Completely at the Andrew Edlin Gallery.