Art
Rainbows to No Place: Société Réaliste and the Ayn Rand Apocalypse
The 1949 King Vidor film adaptation of Ayn Rand’s The Fountainhead centers on a headstrong New York architect named Howard Roark, who, at grave risk to his architectural practice, spends his days proffering sleek modernist designs to a society mired in its taste for tawdry neoclassicism. When, early