News
Over the weekend, an activist group calling itself Future Interns descended upon the Serpentine Gallery in London's Hyde Park. Their objection, the Guardian reports, was to yet another instance of the art economy's exploitative labor model: uncompensated, administrative work under the guise of inter
Art
Ryan Trecartin is the voice of a generation ... of monkeys who WhaTevEr. His films make me want to kill myself, like in a good way, because she is just.so.current.
Opinion
One of the fascinating aspects of studying the history of communications is how often we repeat the same strategies, and telegraph code is a great example of this.
Opinion
The New York Post has this take on Lady Gaga's flailing album Artpop, which is "on track to lose $25 million for her label, Interscope, prompting rumors of imminent layoffs."
Art
On December 11, performance artist and sculptor Angela Freiberger offered a succinct and touching “Homage to Mandela” at the Tambaran Gallery.
Announcement
Light Work [http://engine.nectarads.com/r?e=eyJhdiI6MzY0NDgsImF0IjoyMCwiY20iOjUyODg4LCJjaCI6MTkzMCwiY3IiOjE5NjkwMywiZG0iOjQsImZjIjoyNDg4NDUsImZsIjoxMjU2OTAsIm53IjoyMDcsInJ2IjowLCJwciI6MTY2Niwic3QiOjAsInVyIjoiaHR0cDovL3d3dy5saWdodHdvcmsub3JnL3Nob3AvIiwicmUiOjF9&s=0-sAXmO2M2hjEqIlko6NVC5K_aA] has just
Art
Sailor stripes, corsets, and men’s skirts are not just the cheeky trademarks of a brilliant designer, but tools for a deeper excavation of culture.
Opinion
This week, smartphone impact on photography, rise and fall of Lisa Frank, nail art, high-end auction market, Robert Capa in color, literary feuds and more.
Opinion
"When is a handshake not just a handshake?" asks the New York Daily News. "When it happens between the presidents of Cuba and the United States, two countries whose enmity has lasted well over half a century and resisted all attempts to normalize relations."
Art
Over the past decade, Melissa Meyer, rightfully characterized by David Cohen “as virtually without a peer as a lyrical abstractionist,” moved from the lyrical to the disjunctive.
Art
Last week Brooklyn’s Where Gallery celebrated the close of its inaugural show with Dark Side of the Rainbow, the live over-dubbed experience of Victor Fleming’s The Wizard of Oz (1939) as synchronized with Pink Floyd’s Dark Side of the Moon (1973).
Art
Inside the second floor galleries housing the contemporary collection of the Museum of Modern Art, a sculpture called “Bruno” (1998–2012) stands in quiet command of the room. Made primarily of grass and cow intestines, its materials transform the human body into a mediation on mortality via the dige