Art
Last week, I received an email plea. Someone in the art world was headed down to Miami this week, and she was feeling overwhelmed already. She wanted help figuring out how to manage her attention, and how to actually find some good art hiding in the hundreds of gallery booths she would inevitably wa
Art
Jackson Pollock and John Cage are legends in American history. In the centennial year of both artists’ births, two exhibitions now on view in New York celebrate their work and underline the fact that even after their deaths, their influence continues to play an important role in how we understand, i
Opinion
While touring Amsterdam's Stedelijk Museum last week, I encountered a fantastic label for a painting by Nola Hatterman that did what a good art work label should do, mainly providing the context that augments the experience of looking, while connecting the work to our own time and place.
Announcement
Now in its 23rd year as the anchor art fair for the city of Miami, Art Miami, the premiere international contemporary and modern art fair, continues to respond to the interests of serious collectors and this year will debut CONTEXT Art Miami, its new sister art fair featuring emerging and cutting ed
Art
At the Art Institute of Chicago’s Steve McQueen exhibition, I saw something unusual: museum-goers spending time — minutes of it! — watching moving images. In an otherwise bustling museum, the visitors in these rooms were silent and enthralled.
Comics
It's not only for reading …
Opinion
This week, criticizing Ai Weiwei, the FBI is tracking your Google searches, history of Pong, Hirst is a joke, the Paris art "underground," and more.
Opinion
With the announcement this week that Christo plans to build the world's largest sculpture, “The Mastaba of Abu Dhabi," at 492 feet high with a base measuring 984 by 738 feet, Weekend Words turns to bigness.
Poetry
Engine Empire (2012) is divided into three discrete sections or, perhaps more accurately, three self-sustaining worlds, each with its own invented languages. In each section Hong utilizes radical forms and devices — a list, an abededarian, a lipogram — to propel her poems out of the lyric torpor so
Art
Pieter Schoolwerth’s recent exhibition After Troy (November 9–December 22, 2012) builds upon his previous show, tellingly titled Portraits of Paintings, at Miguel Abreu Gallery. Schoolwerth continues to address the question of what can be done after the death of painting by someone who loves to pain
Art
My first exposure to Eugène Leroy’s (1910–2000) work goes back to 1973: a small group in just as small a storefront in an eighteenth-century Flemish baroque-style building close to the historical center of Lille, a city on the French/Belgian border. I only went to see the show — mostly Flemish regio
Poetry
The argument between lyric poetry (that is poetry that arises from the poet’s voice (the “I”) or what Robert Grenier characterized as “SPEECH”) and text (the primacy of the written or printed word) is becoming an increasingly obsolete opposition. Globalism and immigration (or migration) – in the for