Opinion
Industrial design purports to offer efficient, elegant solutions to life's problems in formats accessible to everyone — it's the dream of changing the world through mass manufacturing. But how often does design actually accomplish that goal?
Art
I always consider it fortunate that at institutions like the Metropolitan Museum, exhibitions continue to argue eloquently that art has evolved along manifold trajectories before postmodern discourses recognized it as so. In that vein, one of the highlights of the fall museum season, Designing Natur
Community
This week, studios in Greece, Queens, British Columbia, Arkansas, and Chicago.
Comics
Is anyone there?
Opinion
This week, Ai Weiwei on the internet, the risk of reporting on memes, Dave Hickey on art now, academic and artistic freedom in Wyoming, Trevor Paglen has a moment, everyone hates the art market, Kickstarter and ads,and more.
Opinion
An exquisite corpse of apposite quotes from the Hyperallergic Weekend Editors.
Books
We know that the equation between word and thing can no longer be taken for granted, and that words are made up of both syllables and sounds. Does this mean a poet — one who uses transparent language and writes in an autobiographical mode — is incapable of exploring the conditions of meaning? By tra
Art
I was lucky enough to see Wayne Thiebaud: 70 Years of Painting at the San Jose Museum of Art (February 27–July 4, 2010) and write about it for The Brooklyn Rail (July–August 2010). As with that exhibition, many of the works now on view at the Aquavella Galleries’ posh, mirrored townhouse on Manhatta
News
One cluster of the New York art world A-list have contributed their bold-faced name power to an open letter addressed to New York Mayor Bloomberg. The vague letter highlights the plight of the Rockaways while explaining that the letter is to "support the city in your amazing, monumental efforts in a
Art
On October 8th, a homeless Russian émigré named Vladimir Umanets defaced a Rothko painting hanging in the Tate Modern in London with his name, the year, and the following fragment: A POTENTIAL PIECE OF YELLOWISM. "Black and Maroon" (1958), originally sporting a signature Rothko black rectangle on a
Art
You’d never find Pablo Picasso or Jackson Pollock relegated to the corridors of the Museum of Modern Art. Rarely do artists deemed essential to MoMA’s historical narrative rub elbows with the throngs swarming the escalators and passageways in endless transit from galleries to café to restroom and ba
Art
Six days before all hell broke loose, I rode the subway uptown to attend the press preview of Edvard Munch: The Scream at the Museum of Modern Art. As the preview drew to a close and the already crowded room swelled with paying customers, I asked Ann Temkin, the Marie-Josée and Henry Kravis Chief Cu