Film
A Coming-of-Age Film That Sidesteps Cliché
Ena Sendijarević’s debut feature, Take Me Somewhere Nice, follows a young Bosnian refugee as she sets off to visit a native country she no longer knows.
Latest
Art
JR, Down the Barrel of the Camera
This is a public, political art that invites us to see the world differently, and even encourage the spirit of community.
Interview
Beer With a Painter: Clare Grill
“If a painting doesn’t have the right seasoning, it has to wait.”
Books
An Archaeology of Loss in New York City
Mark Hage's photos of empty storefronts reveal how real-estate development leaves behind sites of civic neglect.
Art
What to Do About the Artists in Your Studio
If Philip Guston wanted everyone, including himself, to leave his studio, Franklin Evans seems to be inviting everyone in.
News
Artists Support Victims of Surfside Condo Collapse
Miami-based artists are stepping in to help the victims and families impacted by the tragedy.
News
Newly Unveiled Princess Diana Sculpture Prompts Criticism
The larger-than-life statue shows the late princess surrounded by three children.
News
Cop Admits to Playing Copyrighted Music to Keep Activist Recording off Youtube
During a recorded conversation with activists, an officer began backing the conversation with the sounds of Taylor Swift.
Interview
Beth B on No Wave, Lydia Lunch, and “Speaking the Unspeakable”
“You don’t need corporate validation or Hollywood validation to do something,” the pioneering No Wave filmmaker explains.
Opinion
Welcome to the Museum of the Future
As a class, we spent a semester talking about museums without being able to visit a single one. Could this inability allow us to imagine different kinds of museums?
Film
The Forgotten “Black Woodstock” of 1969
Summer of Soul, Questlove’s directorial debut, seeks to resurrect the memory of the Harlem Cultural Festival, a vital touchstone of Black music.
Film
The Double-Crosses Don’t Stop Coming in the Noir Throwback No Sudden Move
Set in 1954 Detroit, Steven Soderbergh’s latest caper flick critiques capitalism and institutional racism as effortlessly as it piles on the twists.