Features
How Liminalism Became the Defining Aesthetic of Our Time
This crowd-curated digital movement is one of the most pertinent and explicit reactions to our particular slice of dystopian late capitalism.
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Opinion
Israel's Plan to Artwash Genocide at the Venice Biennale
The artwork at the heart of the pavilion promises to continue the project of denying Palestinian existence.
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Announcement
Matthew Bogdanos Awarded Marica Vilcek Prize in Art History for Repatriation of Stolen Artifacts
The leader of the Manhattan DA’s Antiquities Trafficking Unit is acknowledged for his lifelong dedication to recovering and safeguarding looted antiquities.
Art Review
Spain’s Cosmic Mother of Modernism
Maruja Mallo viewed herself as an extension of her modernist paintings, in which female energy is a conduit for natural and even otherworldly forces.
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Announcement
Interdisciplinary Graduate Programs at SFU’s School for the Contemporary Arts
Transform your art practice with access to internationally-recognized faculty and state-of-the-art facilities in downtown Vancouver. MFA and MA applications are accepted through February 15.
Opinion
When Artists Lose Their Archives
I couldn't afford my storage unit anymore. After it was auctioned off, I found out that parts of my lost work were being sold online.
News
Brooklyn “Wall of Tears” Lists Names of Children Killed in Gaza
Local artist Phil Buehler said he unveiled the memorial display to help people “see something that they otherwise can't see.”
Features
The Unruly Politics of Glitter
In the visual arts, glitter has been used to make the presence of such marginalized identities impossible to overlook.
Art Review
Does It Have to Mean Something to Be Great?
Joanne Greenbaum’s cacophonous symphony of individual marks, shapes, and colors coheres without obscuring the individuality of each element.