Art Review
Judy Pfaff Is Light Years Ahead of the Curve
After more than 50 years, she has never settled into a signature style and continues to remain open to different, unexpected possibilities
Latest
Daily Newsletter
The Bros Are Back
Crypto art rears its head again at Art Basel Miami Beach and Pantone's color of the year draws backlash.
Opinion
Pantone’s Color of the Year Sounds About White
After the year we’ve had, going with Cloud Dancer can easily be interpreted as a piercing dog whistle.
Community
Art Movements: All's Fair in Art Fairs
Also: Three art-world heavyweights from Pace, Di Donna, and Sotheby’s are opening a new secondary sales gallery named … “PDS.”
Opinion
Wake Up, Beeple!
Crypto-backed artworks at Art Basel Miami Beach advance the wealth mechanisms they claim to subvert and make you, the viewer, a participant in the ploy.
Community
Required Reading
World AIDS Day at Stonewall, Alison Bechdel on making ends meet, Houston van art, NYC’s latest eyesore, Christ and kink, and the family behind Elf on the Shelf.
News
NYC Announces Three New Public Artists in Residence
Ifeoma Ebo, Stephen Kwok, and Mauricio Higuera will bring “creative problem solving” to three public agencies.
Community
A View From the Easel
“People really underestimate how much pacing and walking you do when making.”
Feature
Hyperrealism Meets Queer Futurism at NADA Miami
The strongest booths at the fair suggested that the future is seeping into the present and that mundane objects can carry the weight of worlds.
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Announcement
Purchase College Was Founded to Make Quality Arts Education Possible
Graduate arts students have access to generous financial support and paid teaching opportunities, state-of-the-art facilities, and New York City’s vibrant cultural scene.
Sponsored
Announcement
Craft in America Returns for a New Season With “EAST” and “WEST”
The latest episodes of the PBS docuseries explore craft across the US, beginning with stories of artists in the Eastern and Western United States.
Daily Newsletter
Katherine Bradford's Moonlit Visions
John Yau on Theaster Gates, Pyaari Azaadi's revolutionary orbit, and the plague of American curatorial silence.