Feature
Revealing the Secrets Within a Hulking Tony Smith Sculpture
Freshly installed at the new LACMA building ahead of the museum’s spring reopening, the massive artwork resembling an abstract spider offers a link to the past.
Feature
Freshly installed at the new LACMA building ahead of the museum’s spring reopening, the massive artwork resembling an abstract spider offers a link to the past.
Opportunities
Residencies, fellowships, grants, and open calls from the Erie Canal Museum, the Paul & Daisy Soros Foundation, and more in our monthly list of opportunities for artists, writers, and art workers.
Guide
Spirituality, magic, and transformation are recurring themes in some of our favorite exhibitions on view, from Mestre Didi to Renée Stout.
Sponsored
Announcement
Offering six- to ten-week stays with housing, studios, stipends, and mentorship to four artists each year, this residency in Atlanta, Georgia, is accepting applications until July 31.
News
Union members, workers, and local advocates rallied for months to secure funding to prevent further layoffs at the institution.
Feature
The green spaces that served as a refuge for historically oppressed LGBTQ+ groups are at the center of contemporary campaigns to memorialize the movement.
Art Review
The Brazilian artist and Candomblé priest established an international art practice that foregrounded diasporic African perspectives.
Feature
You can usually find me underground for my Subway Hands project. I ascended to document the NYC Pride and Queer Liberation marches — a study in contrasts.
Feature
In an organized response to ongoing violence, the 33rd annual event adopted an explicitly anti-war, anti-Trump, and anti-Zionist tone.
Art Review
The magic of Stout’s artworks does not feel contingent on a viewer’s comprehension — it feels auratic, as if emitting an electrical current of meaning.
Art Review
Michelle Im’s disconcerting ceramic figures subvert ornamentalized representations of East Asian femininity.
Art Review
A fundamental part of Overstreet's mission was to break free of the flat, rectangular picture plane and the Eurocentric view of painting that dominated American art.