Film Review
Not Your Typical Art Heist Flick
Blue-collar art thefts were the inspiration for Kelly Reichardt’s The Mastermind, which plumbs the conservative turn of the 1970s United States.
Film Review
Blue-collar art thefts were the inspiration for Kelly Reichardt’s The Mastermind, which plumbs the conservative turn of the 1970s United States.
Sponsored
Announcement
Stamps Gallery’s fall season features a slate of free programming — including performances, an exhibition tour, workshops, and a panel discussion — to accompany this new show.
News
The platform spotlights dozens of studios, galleries, museums, and other cultural spaces in an effort to foster cross-borough connections.
Feature
From feature films to experimental shorts, several highlights of this year’s lineup explore what it takes to live and work as an artist.
Art Review
A water-themed, lesbian-centric group exhibition in Staten Island explores the sea’s long association with a feminine force.
News
Two dossiers paint an urgent quantitative picture of the rapidly growing suppression of free expression and artistic freedom.
News
The new space will house an “expanded collection,” suggesting possible shifts in the museum’s longstanding focus on art made before 1900.
Book Review
The Maverick’s Museum examines Albert C. Barnes’s complex legacy, from his support for the Harlem Renaissance to his incongruent interactions with Black art and culture.
Community
This week: how Serbia inspired the Renaissance, an independent magazine sues ICE, Shakespeare’s enigmatic rival, audiobook narrators deserve better, the music of Palestinian tatreez, and more.
Community
“Charcoal is my first and most enduring love.”
Sponsored
Announcement
In Our Time: Eleven Artists + W.E.B. Du Bois brings together a diverse roster of leading contemporary artists who respond to the work of the pioneering sociologist.
Sponsored
Announcement
The season opens with Kara Walker. Burning Village and Inhabiting the Shadows, a group show featuring works by Louise Bourgeois, Cindy Sherman, and more.