Jocelyn once described her husband, Gandy Brodie (1924–1975) as a “delinquent Hebrew student.” In the novel Life on Sandpaper (Dalkey Archive Press, 2011), the Israeli novelist and painter Yoram Kaniuk writes about the time he and Gandy hung out together in New York, befriending Lenny Tristano and Charlie Parker, as well as Willem de Kooning and Tennessee Williams.
MANILA, Philippines — Over the past few months, I’ve watched with envy as stunning museum shows have gone up in my old haunts in Los Angeles and New York. Thankfully, in recent months three museums have released exhibition-related apps for the iPad and iPhone. To see how they stack up, I reviewed three apps (CA Design HD at LACMA, AB EX at MoMA, Cattelan at Guggenheim) in their iPad incarnations. Here are my thoughts.
So … by now we are all familiar with the critical fanfare surrounding MoMA’s de Kooning retrospective. Jerry Saltz is a big fan of the exhibition, Peter Schjeldahl thought it was awesome, Tyler Green keeps writing about it, even MSNBC covered the opening. I’m going to go ahead and agree with the common wisdom on the show. The exhibition, which is organized chronologically, takes the artists career as a whole, for better or worst. Apart from a slightly out of place wall of abstractions from the 1930s in the first room (small and gemlike) the whole show flowed intuitively and easily from development to development.
The Clyfford Still Museum, now set to open Nov. 18 in Denver, says it will house 94% of the artist’s total creative output.
Abstract Expressionist New York shines a bright and bold light on Jackson Pollock. Although the selection on view is obviously not as extensive as MoMA’s major retrospective in 1998-99, the show is still a rare and precious opportunity to see many of Pollock’s paintings under one roof.
His paintings are often crudely divided into two categories. On the hand, there are the mighty drip paintings — where splatters and splotches of paint dance across the picture plane. Then, there is everything else.
The Museum of Modern Art’s Abstract Expressionist New York: The Big Picture, an ambitious exhibition that (kinda) rethinks the standard narrative of Abstract Expressionism (aka AbEx), has been open since October 3. The show complicates things by reintroducing us to artists not entirely within the AbEx canon, putting old favorites in a new context and shining a spotlight on the people and places of AbEx.
The question is: did MoMA and its curators accomplish their goal? We turn to the internet at large for a look at how people have reacted to the exhibition!