Francis made over 10,000 artworks, starred in more than 100 solo exhibitions, and, in the late 1950s to mid-1960s, commanded the highest prices of any living painter.
The intentionality of Booker’s abstraction gives me the impetus to discuss something about the current zeitgeist that’s been on my mind for a while.
Youngblood’s paintings would probably make Piet Mondrian yelp.
Each canvas follows its own off-beat rhythm.
The artists at False Flag Gallery demonstrate the through line between art of the African continent and modern abstraction.
Neely has created paintings that respond to some of the major issues of the day: climate change, environmental water loss, and immigration.
Emily Mason remembers her mother saying, “I’ll be famous when I’m dead.” Though fame may not be quite secured (yet), the artist’s first-ever monograph acts as bulwark against forgetting her legacy.
The new documentary Beyond the Visible is more of a detective story than a straightforward biography, investigating the erasure of an important figure in abstract art.
The Met Breuer mounts recent acquisitions from Latin America, South and Southeast Asia, West Asia, and North Africa alongside mainstays of postwar American art, sketching a potential reorientation of art history.
While Mrinalini Mukherjee radically used textiles to negotiate the deep roots of symbolic Indian art and craft, her visual vocabulary sought independence from traditional roles within her culture.
Presuming that calls for censorship and destruction constitute a legitimate response to perceived injustice leads us down a very dark path.
ST. LOUIS — Several months ago, I made the commitment to be away from New York City, my home and native land, for the duration of this summer.