Youngblood’s paintings would probably make Piet Mondrian yelp.
Each canvas follows its own off-beat rhythm.
The artists at False Flag Gallery demonstrate the through line between art of the African continent and modern abstraction.
Neely has created paintings that respond to some of the major issues of the day: climate change, environmental water loss, and immigration.
Emily Mason remembers her mother saying, “I’ll be famous when I’m dead.” Though fame may not be quite secured (yet), the artist’s first-ever monograph acts as bulwark against forgetting her legacy.
The new documentary Beyond the Visible is more of a detective story than a straightforward biography, investigating the erasure of an important figure in abstract art.
The Met Breuer mounts recent acquisitions from Latin America, South and Southeast Asia, West Asia, and North Africa alongside mainstays of postwar American art, sketching a potential reorientation of art history.
While Mrinalini Mukherjee radically used textiles to negotiate the deep roots of symbolic Indian art and craft, her visual vocabulary sought independence from traditional roles within her culture.
Presuming that calls for censorship and destruction constitute a legitimate response to perceived injustice leads us down a very dark path.
ST. LOUIS — Several months ago, I made the commitment to be away from New York City, my home and native land, for the duration of this summer.
LONDON — The first thought that struck me about the Serpentine Gallery’s exhibition of Swedish artist Hilma af Klint, Painting the Unseen, was: Thank goodness — finally a solo show starring a female artist!
MUSKEGON, Mich. — What’s especially significant about Manierre Dawson is that he made his breakthrough to non-objective imagery prior to any exposure to modernist art.