By recording unusual sights encountered throughout his travels and disseminating these via workshop practices, it’s understandable why Dürer is so prominent in art history.
Albrecht Dürer always wanted to move on, to be somewhere else.
A show at Vienna’s Albertina reverses the more commonly held belief in art history that drawings are merely preparatory to paintings.
Copies, Fakes, and Reproductions challenges viewers’ assumptions that “copies” must be “fakes” and therefore “bad.”
Albrecht Dürer’s “Triumphal Arch” is one of the largest prints ever made, and after a century on view at the British Museum, its conservation was a colossal task.
The same year that Albrecht Dürer created his famous rhinoceros woodcut, the German artist also collaborated on the first star charts printed in Europe.
Life Lines: Portrait Drawings from Dürer to Picasso at the Morgan Library & Museum may not venture very far beyond canonical European artists, but it uncovers richness and diversity within a circumscribed field, especially in the work of its two anchors, Albrecht Dürer and Pablo Picasso.
MINNEAPOLIS — “Make love not war,” the ‘60s era anti-war slogan, could have been the official credo of the noble House of Habsburg.
PARIS — Pliure (meaning “fold” in French) is a book-based small show, tastefully curated by Paulo Pires do Vale, about the artistic metamorphosis of books (those folded paper things).
One of the last series William Blake completed was on the woes of Job, that biblical figure tormented through a bet between God and Satan that his faith was tenuous
A 1511 edition of Dürer’s Apocalypsis (The Apocalypse) is just one of the many literary and artistic achievements in Marks of Genius: Treasures of the Bodleian Library now at the Morgan Library & Museum.
Last week I wrote about several drawings and watercolors from the spectacular exhibition of works on paper by Albrecht Dürer (1471–1528) at the National Gallery of Art, leaving aside the show’s phenomenal selection of prints. I would like to return, however, to one engraving in particular.