Reflecting on the five-year process of unearthing and restaging Lucy Lippard’s 1971 exhibition Twenty Six Contemporary Women Artists.
Aldrich Contemporary Art Museum
Posted inOpinion
How a Landmark Feminist Show Got Erased From Collective Memory
Art critic Lucy Lippard’s first outing as a feminist curator in 1971 has, until recently, been almost entirely absent from history.
Posted inArt
52 Artists Challenges the Meaning of “Women’s Art”
What most stands out for me about 52 Artists at the Aldrich Contemporary is the sense of both engaging with and resisting categories.
Posted inArt
Getting Your Weather Report at the Art Museum
At the Aldrich Contemporary Art Museum, artworks confront their own untimeliness through appeals to a deeper, more cosmic, sense of space and time.
Posted inArt
A Trailblazing Lesbian Artist Gets Her Due
Harmony Hammond’s work can appear bewildering at first, expansive in its diametrical explorations, and sprawling in its material juxtapositions.
Posted inNews
A 40-Year Initiative Brings the Art of Maximum-Security Prisoners to the Museum
“Those capable of the worst are capable of the best,” says curator Jeffrey Greene. “Anyone can be an artist.”
Posted inArt
The Seamless Weaving of Fine Arts with Crafts
Anissa Mack uses the county craft fair as inspiration, context, and content.
Posted inArt
9 Art-Filled Summer Day Trips from New York
Hyperallergic staffers pick their favorite destinations within three hours of the city.
Posted inArt
Life After Art: William Powhida’s Futures Market
A meta-besotted, multilayered, impudent, lacerating exhibition that pricks pretense and self-delusion on every level.
Posted inArt
Seven Museums Each Tackle a Deadly Sin
The Fairfield Westchester Museum Alliance (FWMA), a recently formed consortium of museums located just north of New York City, chose to inaugurate its new partnership with simultaneous exhibitions designed to address a widely known if archaic catalogue of human foibles known as the Seven Deadly Sins.
