Much like her writing, O’Grady’s photomontages pressure binaries until something other, something “both/and” emerges.
Alexander Gray Associates
Posted inArt
Hugh Steers Melds Queerness and the Devotional
Working amid the AIDS crisis, Hugh Steers’s paintings exude a graceful, figurative style that went under-recognized during his brief lifetime.
Posted inArt
The Pioneering Painted Sculptures of Melvin Edwards
Edwards’s sculptures, on display at Alexander Grey Associates in New York, establish him as a master of his various crafts with with an acute sense of rhythm and movement.
Posted inArt
Historical Memory Haunts Frank Bowling’s New Paintings
Now 84, the renowned abstract artist reflects on his Guyanese upbringing and the legacy of colonialism in a striking new series of paintings.
Posted inArt
Frank Bowling, or the Odd Man Out
After starting out as a figurative artist, Frank Bowling began pouring paint in 1973; he has always been the figure who doesn’t fit.
Posted inArt
Kay Rosen’s Writing on the Wall
Rosen employs a visual idiom of protest that relies more on wordplay than imagery.
Posted inArt
The Legendary Betty Parsons Meets the Not-So-Legendary Betty Parsons
Her reputation as a dealer has conveniently overshadowed her identity as an artist.
Posted inArt
From Montage to Mounting: The Surprisingly Sexual Drawings of Sergei Eisenstein
Over the course of his life, Sergei Eisenstein amassed 5,000 sketches, including his “sex drawings,” which depict various sex acts that are not limited to humans.
Posted inArt
“You Have to Get Past the Fear”: Joan Semmel on Painting Her Aging, Nude Body
Joan Semmel has created a distinctive body of work largely centered on painted images of her own body.
Posted inArt
Queering Abstract Art with Wrapped, Grommeted, and “Roughed-Up” Paintings
Harmony Hammond has had a pioneering impact on art, in particular through her insistence on feminist and queer content in abstract work.
Posted inArt
The Anti-Expressionist: Jack Tworkov’s Paradigm Shift
One of the many striking works in the exhibition Jack Tworkov: Mark and Grid is a large abstraction from 1977 called “Knight Series #8 (Q3-77 #2).” Resembling a Synthetic Cubist floor plan, it is in fact an experiment in gaming that looks back to the anti-art of Marcel Duchamp and forward to the rules-based systems of 21st-century conceptual painting.
