Photographer Malcolm Varon’s 1977 portraits, on view at the Georgia O’Keeffe Museum, are some of the only images of the artist late in her life.
Sometimes we all have a cross to bear.
January 1 was Public Domain Day — here’s a look at artists whose work is leaving copyright behind this year (although not in the United States).
LONDON — It’s always surprising when important artists get overlooked. It’s the case of Paul Strand in the UK, whose contribution to the history of photography might still slip away from the British public’s view.
There’s often no rhyme or reason to the selection of art in individual booths at fairs — other than, of course, a gallery’s aim to sell well.
Fisk University in Tennessee came up against a tough decision: faced with financial struggles, they saw an opportunity to keep the school afloat by selling their impressive collection of art, including work by Renoir, Picasso, Diego Rivera, and Cézanne. However, all of this work had been given by Georgia O’Keeffe, who donated the collection, her late husband’s — the photographer Alfred Stieglitz — under the agreement that it never be sold or separated. After years of legal battles, those works will be going on display this fall at the Crystal Bridges Museum of American Art in Bentonville, Arkansas.
The love letters of Georgia O’Keeffe and Alfred Stieglitz number upwards of 25,000. It’s such a prolific amount, it makes you marvel that they had any time at all to live the lives they did. The first published volume of their correspondence is some 700 pages, and it captures all the intimacies and intangibles one suffers for, because of, or in spite of love. It is also a valuable source of art history, self-help, bad spelling, and indulgent use of the em dash.
The artistic avant garde is often a pretty insular group — when you’re doing something new, odds are that few people besides your immediate friends and collaborators know what’s up. A jewel box of an exhibition at the Boston Museum of Fine Arts proves just how small the art world is with Modernist Photography 1910-1950, a show that’s just as much about the aesthetic (and physical) interrelationships between artists as it is about the advent of modernist photography in the United States.
For the first time in more than 25 years, the Metropolitan Museum of Art will display five of its original Autochromes by Edward Steichen and Alfred Stieglitz for one week only — January 25-30, 2011 — as part of the exhibition Stieglitz, Steichen, Strand.
The future of Fisk University’s priceless art collection donated years ago by artist Georgia O’Keeffe, and known as The Stieglitz Collection, may be decided at a trial set to begin tomorrow after five years of legal wrangling.