News
The High Line Wants You to Weigh in on Its Next Public Sculptures
From playful to political, there are 80 options by artists including Nick Cave, Mona Hatoum, and Wang Sishun.
Alfredo Jaar
Announcement
The Neuberger Museum of Art Explores Pier Paolo Pasolini’s Range of Work and Influence
Pasolini openly criticized the government, the Church, the right and the left — anywhere he saw a wrong. Pier Paolo Pasolini: Subversive Prophet is on view February 12–May 31.
Interview
Alfredo Jaar on the Capacity of Culture
In a conversation we had in Cape Town, I attempted to better understand Jaar's deep belief in art's capacity to effect change amid political disorder.
Art
Two Projects Revisit Historical Images with a Calm and Critical Eye
Two video installations currently at the Museum of Contemporary Art (MCA) in Chicago place the viewer within images and their history, and demand we look at them differently.
Art
Clearing the Slate: MoMA’s Contemporary Reboot
A few months after having been roundly trounced for The Forever Now: Painting in an Atemporal World, its attempt to assess the current state of painting, the Museum of Modern Art opened a reinstallation of its contemporary collection on the same day as its Björk fiasco.
Art
The Limits of Shedding Light on Grief
Anguished, powerful, and problematic as they are, there is a heavy bar to what images of war and suffering can do, and what they can carry beyond cynicism, voyeurism, or spectacle.
Art
Mythological Moments from India’s First Biennale
KOCHI, India — I finally made the trip to Kerala, on India’s southern tip, not because tourism websites insist upon it as God’s own country, but because the first ever biennale hosted in India is taking place there at Kochi (or Cochin), a city that was once a thriving spice port. Bringing together a
Art
For Those Without History, a Memorial Museum in Chile
SANTIAGO, Chile — Walk down a flight of stairs and open the door. The door closes behind you and you find yourself in a dark room. You disappear; you can’t leave the space and don’t have a point of reference. A few minutes later, 500 silhouettes of the heads of 500 different people throw a diffuse w