• Become a Member
  • Facebook
  • Twitter
  • Instagram
  • LinkedIn
  • News
  • Art
  • Books
  • Film
  • Performance
  • Opinion
  • Comics
  • Podcast
  • Store
  • Sign In
  • Twitter
  • Instagram
  • Facebook
  • LinkedIn
  • Features
  • Previews
  • Reviews
  • Interviews
  • Opportunities
  • News
  • Art
  • Books
  • Film
  • Performance
  • Opinion
  • Comics
  • Podcast
  • Store
  • Sign In
  • Twitter
  • Instagram
  • Facebook
  • LinkedIn
  • Features
  • Previews
  • Reviews
  • Interviews
  • Opportunities
  • Become a Member
  • Facebook
  • Twitter
  • Instagram
  • LinkedIn
  • News
  • Art
  • Books
  • Film
  • Performance
  • Opinion
  • Comics
  • Podcast
  • Store
  • Sign In
  • Twitter
  • Instagram
  • Facebook
  • LinkedIn
  • Features
  • Previews
  • Reviews
  • Interviews
  • Opportunities
Skip to content
Hyperallergic

Hyperallergic

Sensitive to Art & its Discontents

Membership

Allen Memorial Art Museum

Posted inArt

The Many Afterlives and Expressions of the African Diaspora

by Sarah Rose Sharp December 30, 2019December 19, 2019

To commemorate the 400-year anniversary of the arrival of the first slave ships in the United States, a recent exhibition at the Allen Memorial Art Museum explores Paul Gilroy’s concept of the “Black Atlantic.”

Posted inArt

Artists Remix and Riff Off Oberlin’s Architecture

by Sarah Rose Sharp September 24, 2018

As part of FRONT International: Cleveland Triennial for Contemporary Art, artists have transformed the Oberlin College campus with sculptural reflections on architecture.

Posted inArt

For Its Centennial, the Allen Museum Focuses on the Important Roles Women Played in Its History

by Diana Sette December 14, 2017December 20, 2017

The Allen Memorial Art Museum clearly understands the importance of the issue of gender equity.

Posted inArt

Fred Wilson Strips Culture Down to Black and White

by Sarah Rose Sharp February 28, 2017

The exhibition Black to the Powers of Ten at Oberlin’s Allen Memorial Art Museum showcases the artist’s extensive examination of black identity and labor.

Posted inArt

Fred Wilson Teaches Us How to Pay Attention

by Sarah Rose Sharp February 14, 2017February 13, 2017

In the artist’s intervention at Oberlin’s Allen Memorial Art Museum, white and black bodies suggest a deeper, racialized meaning.

Popular

  • The Worst McMansion Sins, From Useless Pilasters to Hellish Transom Windows
  • Stanley Lewis in a Wayward World
  • Did NASA Spot an “Alien Doorway” on Mars? 
  • Notes and Pictures From Frieze New York
  • Missing Picasso Resurfaces at Home of Former Philippines First Lady
Sponsored
  • Five Artists Conjure Worlds Just Beyond Reach at the John Michael Kohler Arts Center
  • Museum of Arts and Design Exhibition Explores the International Language of Dress
  • FAT HAM at the Public Theater Spins Shakespeare Into a Celebration of Community
  • Triennial of Photography Hamburg Reflects on Currency
  • NOMA Presents Katherine Choy: Radical Potter in 1950s New Orleans
  • Facebook
  • Twitter
  • Instagram
  • LinkedIn

Hyperallergic is a forum for serious, playful, and radical thinking about art in the world today. Founded in 2009, Hyperallergic is headquartered in Brooklyn, New York.

  • Home
  • Latest
  • Podcast
  • Store
  • About
  • Support Us
  • Advertise
  • Contact Us
  • Sign In
  • Membership
  • Newsletters
  • Submissions
  • Careers
© 2022 Hyperallergic. Proudly powered by Newspack by Automattic Privacy Policy