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Hyperallergic

Hyperallergic

Sensitive to Art & its Discontents

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Almine Rech Gallery

Posted inArt

Genieve Figgis Paints High Society as a Spectacle of Humor and Horror

by Billy Anania November 21, 2021November 19, 2021

Figgis’s musings on bourgeois decadence feel particularly canny in a time of widespread inequality.

Posted inArt

The Blithe Realism of Chloe Wise

by Alana Pockros March 22, 2021March 23, 2021

Playful and satiric, Thank You For The Nice Fire never takes itself too seriously.

Posted inArt

Imagining the Future Amid Alejandro Cardenas’s Profound, Brooding Canvases

by Alana Pockros January 27, 2021January 26, 2021

In ALEXANDRIA, bright stripes and zigzags pop against sprawling environments, telegraphing both impressive depth and intense seclusion.

Posted inArt

Painting’s Patriarchal Spirit

by Mika Ross-Southall October 20, 2018November 7, 2019

Thirty-seven years after the original exhibition at London’s Royal Academy of Arts, A New Spirit Then, A New Spirit Now proves painting is still a boys’ club.

Posted inArt

The Spirit of Painting in an Altered World

by Thomas Micchelli May 12, 2018May 12, 2018

Revisiting a painting show that “changed the art world, for better or worse.”

Posted inArt

Perpetuating the Idea that Modernism Triumphed by Appropriating “Tribal” Art

by Seph Rodney June 5, 2017June 5, 2017

For all the scholarly expertise employed, an exhibition at Almine Rech Gallery comes off as an exasperating magical negro narrative.

Posted inArt

Look Before You Sit: At Frieze New York, the Seats Are All Sculptures

by Benjamin Sutton May 14, 2015May 29, 2015

Frieze New York opens its doors to the public today, but already during yesterday’s press and VIP preview the aisles were crowded, the common areas and restaurants filled with worn-out fairgoers, and it seemed as if the only empty seats were sculptures.

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