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Hyperallergic

Hyperallergic

Sensitive to Art & its Discontents

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Amanda Krugliak

Posted inArt

Strangely Unsettling Photographs of Windowless Houses

by Sarah Rose Sharp April 29, 2019

An artist duo’s digitally doctored images of houses without windows prompt reflections on the struggle to maintain privacy in an age of oversharing.

Posted inArt

Seeking Beauty as the World Falls Apart

by Sarah Rose Sharp February 22, 2019

David Opdyke appears to understand why they say the road to hell is paved with good intentions.

Posted inArt

A Giant Robot Artwork Built to Bend Over Border Walls

by Sarah Rose Sharp February 23, 2018February 24, 2018

Chico MacMurtie’s border-crossing robot serves a poetic and political function.

Posted inArt

A Glitzy Pop-Up Exhibition Savors Surface and Substance

by Sarah Rose Sharp February 7, 2018February 7, 2018

In Ann Arbor, Michigan, a bright and at times bizarre show highlights the work of Heidi Barlow, Shaina Kasztelan, and Bailey Scieszka.

Posted inArt

After Purging Her Possessions, an Artist Paints What Remained

by Sarah Rose Sharp October 16, 2017

In Possession, Jaye Schlesinger displays the small-scale oil paintings she made for each of the 380 objects she decided to keep.

Posted inArt

Miniature Dioramas That Contain the Chaos of the World

by Sarah Rose Sharp April 13, 2017April 13, 2017

From a patchwork of shantytowns to retail spaces, Tracey Snelling’s miniature worlds describe the disorder of life and offer a compelling argument that the way we inhabit space is subjective.

Posted inArt

Updating Fragonard with an Indigenous Perspective

by Sarah Rose Sharp February 18, 2016February 18, 2016

ANN ARBOR, Mich. — Scroll quickly enough past a photograph of Kent Monkman’s new installation, “Scent of a Beaver,” at the University of Michigan’s Institute for the Humanities, and you might mistake it for a painting.

Posted inArt

Feeling at Home with Alison Bechdel

by Sarah Rose Sharp February 19, 2015February 18, 2016

ANN ARBOR, Mich. — When it comes to creating an installation of the work of cartoonist Alison Bechdel, a curator is faced with more than the usual conundrums of what merits inclusion.

Posted inArt

Curating the Traces Left by Undocumented Migrants

by Jillian Steinhauer March 4, 2013February 3, 2017

In the summer of 2012, University of Michigan anthropologist Jason De León and a group of his students were doing fieldwork in the Sonoran Desert in Arizona when they came across the body of a 41-year-old woman. Her name was Marisol, and she was dead. She had been for four days.

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Hyperallergic is a forum for serious, playful, and radical thinking about art in the world today. Founded in 2009, Hyperallergic is headquartered in Brooklyn, New York.

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