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Hyperallergic

Hyperallergic

Sensitive to Art & its Discontents

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Andrea Fraser

Posted inArt

Andrea Fraser Puts Male Feminism on the Line

by Olivia Gauthier August 13, 2019

In her performance, Fraser plays the role of male feminists, both empathizing with them and exposing their failure to empathize with the goals of the Women’s Movement.

Posted inArt

How the Museum Is Like a Prison

by Kyle Croft November 26, 2018November 21, 2018

The Walls Turned Sideways exhibition at the Contemporary Arts Museum Houston implicates the museum as existing in the same landscape of money and power as the prison.

Posted inArt

The Art Object as Institutional Critique

by Michael Valinsky June 16, 2018June 15, 2018

The artists in Décor urge viewers to question the creator’s role in the management and presentation of art.

Posted inArt

Andrea Fraser Considers the Role of Artists and Institutions in the Rise of Right-Wing Populism

by Matt Stromberg March 6, 2018

Eschewing the divisive polarization that has characterized much contemporary political discourse, Fraser examines the role that left-leaning artists and institutions may have played.

Posted inArt

When Great Art Makes You LOL

by Alicia Eler and Alex Huntsberger February 20, 2017January 11, 2021

Is funny art actually funny? The answer, as we see it, is a rousing chorus of “it depends.”

Posted inArt

When Institutional Critique Doesn’t Go Far Enough

by Chloë Bass March 8, 2016September 14, 2016

First let me tell you what it’s like to be here.

Posted inArt

In New Orleans, an Exhibition Shines on the Surface

Avatar photo by Benjamin Sutton January 12, 2015January 13, 2015

NEW ORLEANS — Gather enough bling in one gallery and the concentration of visual stimuli will overwhelm the need for a clear or convincing curatorial framework.

Posted inArt

Could a Long-Forgotten Contract Settle the Artist Resale Royalties Debate?

by Kibum Kim January 5, 2015January 9, 2015

With a group show simply titled The Contract, the Lower East Side gallery Essex Street encourages us to consider an old proposition: the “Artist’s Reserved Rights Transfer and Sale Agreement” by the pioneering dealer of conceptual art Seth Siegelaub and the lawyer Robert Projansky.

Posted inArt

Films in 60 Seconds: Just Another Modern Monday

by Jeremy Polacek October 3, 2013

On Monday, September 30, the Museum of Modern Art opened another season of its Modern Monday series with a selection of screenings from the recently defunct One Minute Film Fest.

Yale University Press Presents The Art of Colour: The History of Art in 39 Pigments
Sponsored

Yale University Press Presents The Art of Colour: The History of Art in 39 Pigments

Kelly Grovier discusses his book on the history of pigments in a new podcast episode, making the case for how myths and science can enrich how we experience art.

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Hyperallergic is a forum for serious, playful, and radical thinking about art in the world today. Founded in 2009, Hyperallergic is headquartered in Brooklyn, New York.

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