The animal carcass sculptures are gruesome yet their materials — the artist’s own discarded clothing — lend them some gentleness.
Gunda and Stray reveal how difficult it is not to romanticize the lives of other animals.
Three Humboldt penguins got a private tour of the museum, and it turns out they like Caravaggio.
The raccoon is one of the most popular animals on social media. But the human obsession with the scavengers predates the internet by thousands of years.
Animals were an important part of the everyday lives of ancient and medieval people, whether they were real or imagined, and their literary use in the Middle Ages formed a moral language.
The exhibition Stampede prods the viewer to consider how artists use animals to represent human traits and critique the world we humans live within.
1668: The Year of the Animal in France by Peter Sahlins delves into the radical influence of Louis XIV’s menagerie at Versailles on the art of animals.
Bear 71 VR is an interactive documentary that uses trail camera footage and animal tracking to follow the life of one grizzly in Banff National Park.
In Next of Kin at the Harvard Museum of Natural History, artist Christina Seely repurposes natural history specimens for an emotional exhibition about animal extinction.
Charlotte Sleigh’s book The Paper Zoo explores 500 years of scientific animal illustration as seen in the collections of the British Library.
Exotic animal visitors to Europe in the 18th and 19th centuries were more frequently dead than alive.
Before coming across an unusually calligraphic painting of a mountain, Williams College Museum of Art Curator Kevin Murphy considered the turn-of-the-century artist Abbott Handerson Thayer “a one slide guy,” a man known for portraits of placid angels, who in an art history class might get one mention and then be forgotten.