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Founded by artists in 1928, SculptureCenter provides an international forum that connects artists and audiences by presenting exhibitions, commissioning new work, and generating scholarship.
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Curated by Mike Carroll of the Schoolhouse Gallery, Massachusetts, this exhibition offers a series of immersive and intricate chronicles of a drowning world.
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This discussion series features the 2016 McKnight Visual Artist Fellows in conversation with nationally-renown art curators and critics, offering audiences an opportunity to learn about the fellowship recipients and how their work intersects with broader contemporary art ideas and concerns.
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The residency program awards studio space to 17 visual artists for year-long residencies in Brooklyn, NY. Apply by February 15, 2018.
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The ability to see and to read an art object — whether a painting, sculpture, chair or vase, whether from the 16th century or the 21st century, from Asia or Europe — is an essential skill for working in the professional art world.
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The exhibition marks a $3 million gift from collectors John and Sue Wieland to endow the museum's directorship and support contemporary art acquisitions.
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Students in the MFA program interact with Louisville's wider arts community by participating in the university's collaboration with local and regional museums and cultural institutions.
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This singular non-profit organization provides valuable studio space, relatable educational programs, and exceptional exhibitions that inspire everyone, from novice to expert.
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A low-residency format, students begin the 2-year program each semester in intensive on-site residencies in North Carolina, alternating between July on the Warren Wilson College campus and January in downtown Asheville.
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Moore College of Art & Design will bring you out of the studio to have illuminating shared experiences with student colleagues and professionally active faculty who’ll provide a wide range of voices.
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The program at SVA offers students the opportunity to bring their language into a complex meeting with the visual arts and the ideas that inform it.
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Diago tracks a lineage of painterly abstraction and other forms in modern Cuban art, condensing them into a body of work that explores the vestiges of slavery and segregation in contemporary Cuban life.