Announcement
Anthology Film Archives Presents: Avant-Garde Films by Polish Women Artists of the 1970s
Stream the program January 13–26 for a rental fee of $8, with discounts available.
Announcement
Stream the program January 13–26 for a rental fee of $8, with discounts available.
Announcement
The award-winning film is available for streaming from November 25 through December 8, courtesy of Anthology Film Archives, the Polish Cultural Institute New York, and Outsider Pictures.
Film
If you want a great primer on Fisk, who recently passed away, look to the documentary This is Not a Movie.
Art
Home Truths, a new online screening series from Anthology Film Archives, acts as a resource for community information and solidarity.
Film
The Wolf House is thick with layered references to Chile's repression under Pinochet, but it's not necessary to understand any of them to get the full brunt of its terrifying, intricately animated imagery.
Film
A new retrospective at Anthology Film Archives presents the work of pioneering independent director and film essayist Mark Rappaport.
Art
This Saturday, Anthology Film Archives presents Representations of Leaving: Queer Death and Heavens, a program of experimental shorts focused on experiences of loss, rebirth, and queer utopia.
Film
We might think of Adam Khalil and Bayley Sweitzer's latest as a cyborg film — both its subject matter and formal approach depend on unifying across difference, a fuck-you to essentialized binaries.
Film
Surface Knowledge, the latest Flaherty NYC screening series, presents enthralling experimental documentary shorts which play with ways of seeing and experiencing the world.
Film
A special screening tour of Yama — Attack to Attack offers a chance to see this extremely rare Japanese film, which was intended to be used in perpetuity to agitate on behalf of the working class.
Film
With just a handful of films to his name, Rice is a seminal, if little seen, New York filmmaker who embraced a rowdy improvisational approach.
Film
A documentary about the canonic thinker, shot mostly in her home office, seems straightforward at first, then jellyfish start shimmering across the screen.