The Wolf House is thick with layered references to Chile’s repression under Pinochet, but it’s not necessary to understand any of them to get the full brunt of its terrifying, intricately animated imagery.
A new retrospective at Anthology Film Archives presents the work of pioneering independent director and film essayist Mark Rappaport.
This Saturday, Anthology Film Archives presents Representations of Leaving: Queer Death and Heavens, a program of experimental shorts focused on experiences of loss, rebirth, and queer utopia.
We might think of Adam Khalil and Bayley Sweitzer’s latest as a cyborg film — both its subject matter and formal approach depend on unifying across difference, a fuck-you to essentialized binaries.
Surface Knowledge, the latest Flaherty NYC screening series, presents enthralling experimental documentary shorts which play with ways of seeing and experiencing the world.
A special screening tour of Yama — Attack to Attack offers a chance to see this extremely rare Japanese film, which was intended to be used in perpetuity to agitate on behalf of the working class.
With just a handful of films to his name, Rice is a seminal, if little seen, New York filmmaker who embraced a rowdy improvisational approach.
A documentary about the canonic thinker, shot mostly in her home office, seems straightforward at first, then jellyfish start shimmering across the screen.
Two films by Varda, made in California 12 years apart, are screening this Friday at the Anthology Film Archives.
The series Cross-Dressing and Drag on Screen at the Anthology Film Archives highlights drag’s ubiquity across time, place, and social milieu.
Anthology Film Archives’ latest series explores fictional, factual, and farcical portrayals of monkeys in movies.
A new documentary about the experimental musician, filmmaker, and artist, details his many influential projects while illuminating countless others we know very little about — for now.