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Posted inArt

What’s the Best Way to Show Digital Art, Both Online and Off?

What’s the best way to show artwork — both made for the web and not — online? How do we bring net art into the physical space of a gallery? These are two of the questions that curators, artists, and others in the art world are increasingly confronting and most likely will be for a while. Two attempts to answer them recently converged in my inbox, and both intrigued me enough to be worth a look.

Posted inOpinion

Do Artists Actually Confront Our New Technological Reality?

Art historian and associate professor at New York’s CUNY Graduate Center Claire Bishop has taken to the pages of Artforum’s September edition to issue a kind of rebuke for contemporary art. She argues, in an extended essay that only briefly detours into egregious artspeak, that though the new realities of technology and the internet provide the fundamental context for art currently being made, art and artists have failed to critically confront this context and are too content simply to respond and adapt to it.

Posted inArt

Somewhere Between Cyber and Real: An Interview with Aram Bartholl

Somewhere along one of the exterior walls of the Museum of the Moving Image, there is a slot. It’s barely noticeable — a small, dark crevice cut into the wall, incredibly thin and not more than five inches long. If you happened to see it, you’d probably think it looks a lot like a CD/DVD drive — and you’d be right. It is a drive, meant for blank discs. If you bring a DVD, insert it into the slot and then wait a few minutes, the drive will eventually return your disc to you. On it will be a curated exhibition of video art — for the next month, at least. After September 15, the content being offered will change. It will change again a month later, and then again, and on and on indefinitely (or until the museum decides to uninstall the drive).