CHICAGO — There will be hundreds of exhibitions between now and the end of March, when the weather starts to warm up around these Middle West parts. Here’s 10.
Today is International Museum Mascot Day, and the animals, mummies, random curios, and other collection creatures that represent their respective museums are celebrating on on Twitter with the #MuseumMascot hashtag.
As the 100th anniversary year of the 1913 Armory Show winds down, it’s worth taking a look at an exhibition in Texas that may not directly corral together the scandalous and shocking art of that first burst of modernism into the Americas, but just as strongly shows how the waves of Cubism, Futurism, Expressionism, and beyond would roll through the 20th century here with the spurring of that initial experimentation in Europe.
CHICAGO — Rumors began shaking my grapevine in Chicago last week about a sudden and dramatic closure of part of the Modern Wing at the Art Institute.
CHICAGO — Sometimes it almost seems that at any time of the year, at some place in the world, there is a show of Picasso’s work on display somewhere.
At the Art Institute of Chicago’s Steve McQueen exhibition, I saw something unusual: museum-goers spending time — minutes of it! — watching moving images. In an otherwise bustling museum, the visitors in these rooms were silent and enthralled.
CHICAGO — Given that most of us labor in virtual space these days and our work requires little more than a desk, a computer, and a keyboard to get done, why do we stick to such outmoded concepts as cubicles and cafeterias? A current exhibition at the Art Institute of Chicago, The Outdoor Office: Jonathan Olivares Design Research, imagines how the office of the future might look.
CHICAGO — I’d cruise slick Chicago boy bodies at the infamous bathhouse Steamworks if I were a cisboy, or at least marginally passable as an effeminate dude. Suffice it to say that my gender isn’t welcome amidst the mist of those showers. My desire for dick instead led me to The Great Refusal: Taking on New Queer Aesthetics at the School of the Art Institute of Chicago’s Sullivan Galleries. Curated by SAIC faculty member Oli Rodriguez in collaboration with SAIC undergraduates and recent alumni, the exhibition spans nearly four white-cube gallery spaces and encompasses work by more than 50 artists.
CHICAGO — The Roy Lichtenstein exhibition at the Art Institute of Chicago (AIC) is everything a retrospective should be. It takes an incontrovertibly significant artist, assembles art from all phases of his career, includes well-known and less well-known works and tries to make the case for an oeuvre, as opposed to a succession of unconnected objects. If you like Lichtenstein’s work, you will love this show.
CHICAGO — There’s a massive Roy Lichtenstein retrospective opening this Wednesday, May 16, at the Art Institute of Chicago. Or rather, there isn’t: the opening had to be postponed due to the huge number of people who signed up for the members-only preview.
CHICAGO — In a darkened gallery in the Art Institute of Chicago, a grainy video from decades ago begins. Standing with her face pressed up against a white wall, a woman reaches down and scoops up a handful of red, viscous liquid — presumably blood — from an enamel tray, and in a series of arcing gestures she traces a crude outline of a doorway, or a cave entrance, or maybe just the close demarcation of her own small body, around herself onto the wall.
When is a rainbow a bad thing? When it’s ruining your carefully planned minimalist wedding reception booked at the Art Institute of Chicago, that’s when! In this tale of horror, an installation by artist Pae White causes couples to reconsider hosting their weddings parties in the museum space.