Art Review
Pamela Phatsimo Sunstrum Reminds Us of Our Humanity
It feels like an important time to be highlighting moments of intimacy amid strife, given that we live in a time of famine, war, and genocide.
Art Review
Art Review
Karin Davie’s Oceans of Color
Davie lays everything bare in her brushstroke, while withholding how she controls sometimes two or more colors within a single mark.
Art Review
Duncan McGillivray-Smith’s Game of Shadows
His mysterious narratives, arising out of common human activities, are inventive and uncanny, caused a sense of disquiet.
Art Review
Monuments Collapses American History on Itself
An exhibition in Los Angeles pairing decommissioned public Confederate statues with contemporary art captures America’s shifting political terrain.
Art Review
The Canary in the Turbine Hall
Máret Ánne Sara contends that the destruction of Samí lands foreshadows similar threats to more temperate regions and calls for alternative frameworks of knowledge.
Art Review
We’re All Pink on the Inside
…Literally. An exhibition about bodily freedom features photos from the inside of a vagina, sculptures based on abortion stories, and more.
Art Review
Calder’s Circus Is for Everyone
The Whitney’s 100th anniversary exhibition of Alexander Calder’s sculpted circus shows an artist at play, and creates a fantastical world.
Art Review
The Anti-Caravaggio of the Baroque Era
Georges de La Tour incorporated chiaroscuro into austere genre compositions, lending them a uniquely intimate and spiritual quality.
Art Review
Who Was Marie Antoinette Beneath All That Silk and Spectacle?
History has never really known her as a person, and that isn’t about to change here.
Art Review
Made in L.A.’s Anti-Curation Doesn’t Work
The curators’ self described “no-methodology methodology” results in a scattered exhibition that feels bland and curatorially unimaginative.
Art Review
Coco Fusco Turns Back the Ethnographic Gaze
In her first US retrospective, she becomes museum specimen, interrogator, colonial queen, and more to expose the systems that produce them.
Art Review
The Irony of a Fascism Exhibition in Germany
Once a custodian of critical culture, Berlin’s Haus der Kulturen der Welt has become a model of capitulation to state control.