Art Review
Black Artists Create New Universes in “Unbound”
The exhibition at the Museum of the African Diaspora moves between history and futurity without settling on a singular narrative of the universe, instead prompting reflection.
Art Review
The exhibition at the Museum of the African Diaspora moves between history and futurity without settling on a singular narrative of the universe, instead prompting reflection.
Art Review
Although many of her earthworks have been erased by time, the late Cuban-American artist’s interventions attest to her continued presence, etched into the land.
Art Review
The traumas of war and genocide and the fascist leanings of Salvador Dalí are among the subjects that this sprawling exhibition leaves out.
Art Review
A new exhibition freshly contextualizes many artworks in the light of his personal story, while conservators conducted revelatory technical studies.
Art Review
This year’s biennial, The World Tree, was intended to highlight the “archetypal myth central to many ancient cosmogonies.”
Art Review
In Becoming the Sea, nostalgia for the Rhine River of Kiefer’s childhood flows into homages to the Mississippi as a symbol of both industry and creative freedom.
Art Review
Her exhibition at MoMA PS1 synthesizes live-action footage, video game engines, and generative AI to create an interlocking series of speculative narratives
Art Review
Without didacticism, Sandra Vásquez de la Horra makes visible the connection between the exploitation of the natural world and the subordination of women.
Art Review
Is there any real rivalry in Tate Britain’s Turner & Constable: Rivals & Originals, or is it a PR exercise to lure us through the door?
Art Review
Though it offers little in the way of Sargent’s artistic engagement with the city he called home for a decade, “Dazzling Paris” is a reminder of his uncommonly skillful brushwork.
Art Review
Bill Rice’s depictions of New York’s Lower East Side are paradoxes of bleakness and sensuality, gloom and intrepid spirits.
Art Review
With his haunting exhibition, Passages, the Guyanese-British artist reminds us that when we survive, so do our ghosts and our wounds.