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An Excursion to the Past as You've Never Imagined It
With a mission to show that the past wasn't always as we now envision it to be, Chris Wild's Retronaut has been compiling curiosities of vintage photography and other archives online.
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Artists Mobilize to Capture Hong Kong's Umbrella Movement in Pen and Ink
Art has played a role in the Umbrella Movement since day one, from public art installations like Stand By You: ‘Add Oil’ Machine to a Facebook competition to design the movement’s logo.
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Funk, Medicine, and Questions of the Future
In performance, as in history, there’s a lot that gets lost: layers of meaning and nuance too complex to carry in a single story. Investigating Simone Leigh's and Xenobia Bailey’s projects for funkgodjazz&medicine: Black Radical Brooklyn, produced by Creative Time and the Weeksville Heritage Center,
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Artist's Diaries Since 1865
From Vincent Van Gogh to Joseph Cornell, writing has always been a crucial part of the artist's life.
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Roman Opalka’s Numerical Destiny
In 1965, the French-born, Polish painter Roman Opalka came to an important decision. While sitting at the Café Bristol in Warsaw waiting for his wife to arrive, the idea occurred that he should begin to paint numbers that would progress sequentially from one canvas to the next for the duration of hi
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Against Despotic Forms of Perfection: Jane Corrigan’s New Paintings
The focus of Jane Corrigan’s first solo show at Kerry Schuss is young female athletes who, by virtue of their age – they are adolescents – are likely to be undergoing biological changes as well.
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The Other World Within This One: On Jane Freilicher
Jane Freilicher's still-life paintings have a large-scale, panoramic quality associated with landscapes. Conversely, her landscapes focus on nature's compactness and textures so that they convey the intimate solidities of still-life.
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Four Artists, Breezing through Materials and Ideas
The Fitzroy Gallery on the Lower East Side has gathered together four like-minded artists for an exhibition that appears to stem from a Casualist approach, but a closer look quickly complicates the picture.
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A Group Show, for the Pleasure of Its Company
It’s a display of mostly gallery artists, perfunctorily titled Fall 2014 Group Show and hung without an apparent organizing principle. There isn’t even an official closing date.
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Five Rules for (Kinda) Viewing Art
Art critic Philip Kennicott published a guide to viewing art in the Washington Post this week. Lovely and thoughtful though it is, parts of it just seemed sort of ... old-fashioned, you know?
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Unemployment as Artwork
WASHINGTON, DC — In a tiny storefront in DC’s Shaw neighborhood, Paul Shortt grimaces as his gray dress pants rip along the seams. They’re clearly inadequate for his large, bearlike figure, but he loops a belt through and leaves the pants unbuttoned.
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Consummating the Erotic Art of Two Souls
Invisible-Exports’ current show represents the agglutination of two transgressive, visionary, and carnal artists born 50 years apart in the 20th century.